No one however, has made an argument to support the idea that if you really want to hear what your components sound like, theoretically, your interconnects will be the same wire that’s inside of your components. Why hasn’t anyone giving me an explanation for this? Please, please enlighten me.I believe that has been discussed before, and it's been pointed out by a quote from some engineer who makes amps that wires under 6" or so don't make much of a difference so long as it's of a high purity. It's also borne out by the use of traces on circuit boards: they're so short that they negate the need for wire.
Which takes that argument one silly step further: why not just use traces between components?
The same argument has been made for speaker wire and I've tried it and found that using the same type of wire is not the way to go. I've heard much better using different cabling. What helps to make up the component of the speaker doesn't translate to what connects the speaker.
Also, yes all cables are tone controls but some, in some areas, do the least amount of damage to the signal, in effect, getting out of the way of the signal. Your argument is just semantics run amok. Lighten up.
With all due respect, what the hell are you doing on audiogon? This site is for people who care more about evaluation then pleasure.Where the hell do you get off saying that? This site is all about both. Just look at any of the thousands of threads.
All the best,
Nonoise