I still own Innersound Eros Electrostat hybrids wich are the same as a Logan minus the curved panel and Powered woofers (Innersound are passive 10in) but my dad doesnt care for that huge wall of sound.
The Summits are the best yet from ML and a pretty good value for the money but stats get old after awhile, atleast mine did, a friend in our audio club has been runing them in his system for over a year now and I visited them the other day, funny thing was I couldnt figure out what I really liked about them....go figure.
Take a look at VMPS they offer alot of what is great with Planars and fast stats but have always been known for killer bass.....I own the FF3 SRE with outboard crossover.
The only thing about Legacy is they are a "hotrod" in that I mean they are always ready to getty up and go but sometimes they lacked the finess you crave with multiple musical taste. I agree 100% about rock music being very hard to get too picky about as it is almost always crap recordings, the guy I talked earlier about has $10K PassLab mono amps, a near $10K Sota table with SME V arm and so on, and when he plays rock it almost seems silly to have all that money wrapped up into playing the crap the spit out of the recording booth....loud compressed garbage.
The Summits are the best yet from ML and a pretty good value for the money but stats get old after awhile, atleast mine did, a friend in our audio club has been runing them in his system for over a year now and I visited them the other day, funny thing was I couldnt figure out what I really liked about them....go figure.
Take a look at VMPS they offer alot of what is great with Planars and fast stats but have always been known for killer bass.....I own the FF3 SRE with outboard crossover.
The only thing about Legacy is they are a "hotrod" in that I mean they are always ready to getty up and go but sometimes they lacked the finess you crave with multiple musical taste. I agree 100% about rock music being very hard to get too picky about as it is almost always crap recordings, the guy I talked earlier about has $10K PassLab mono amps, a near $10K Sota table with SME V arm and so on, and when he plays rock it almost seems silly to have all that money wrapped up into playing the crap the spit out of the recording booth....loud compressed garbage.