There are a few subjects being discussed here:
Flat response from Equipment and speakers
Flat In room response.
If you think about it, when the recording is done, are they done in perfect rooms? Carnegie Hall, Studios, Restaurants, Church's. Every recording will reflect the room that it was recorded in, then our room has an effect again on what we hear. The only way to hear the recording as it was done is with a flat room. Ideally, all recordings would be done in a perfect anechoic chamber and our rooms would be the same, but its tough, shoving a symphony in a chamber.
Next, for Equipment, I do believe that it is important for our equipment to be producing a flat response. That is the only way to faithfully reproduce the recording, assuming that we can have a perfect room. I believe that it was @kalali that posed the question, would 2 different speakers with identical response curves sound the same in the same room. I can answer that, I have built many speakers and have come EXTREMELY close in duplicating response curves, but I can tell you for a fact, not opinion that different driver materials sound different and on crossovers, even using the same slopes and same type of compensations or no compensation that crossover parts still sound differently from each other.
Overall, my contention is Absolutely, you need to come as close as possible to achieving a flat response curve on your electronics, in your speakers and in your room. If that is achieved. It is then that you get as close as possible to creating that all allusive "Live" sound that we all work so hard to achieve. Plus when things are acoustically flat, it does help hear so many other design presentation differences in amps, pre's, cables etc.
Flat response from Equipment and speakers
Flat In room response.
If you think about it, when the recording is done, are they done in perfect rooms? Carnegie Hall, Studios, Restaurants, Church's. Every recording will reflect the room that it was recorded in, then our room has an effect again on what we hear. The only way to hear the recording as it was done is with a flat room. Ideally, all recordings would be done in a perfect anechoic chamber and our rooms would be the same, but its tough, shoving a symphony in a chamber.
Next, for Equipment, I do believe that it is important for our equipment to be producing a flat response. That is the only way to faithfully reproduce the recording, assuming that we can have a perfect room. I believe that it was @kalali that posed the question, would 2 different speakers with identical response curves sound the same in the same room. I can answer that, I have built many speakers and have come EXTREMELY close in duplicating response curves, but I can tell you for a fact, not opinion that different driver materials sound different and on crossovers, even using the same slopes and same type of compensations or no compensation that crossover parts still sound differently from each other.
Overall, my contention is Absolutely, you need to come as close as possible to achieving a flat response curve on your electronics, in your speakers and in your room. If that is achieved. It is then that you get as close as possible to creating that all allusive "Live" sound that we all work so hard to achieve. Plus when things are acoustically flat, it does help hear so many other design presentation differences in amps, pre's, cables etc.