Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Martykl great updates! I too use dual subs with my 100s and the results are fantastic. I am using separates and added some of ACI's passive filters to take out low bass from the mains. This opened them up even more.
Biz,

Good to hear of your success with a similar set-up. My Velodyne SMS provides 6db/octave of low cut for the mains at 80hz - so I'm filtering the 100s in a similar fashion to the way Ohm filters the Sat 100 model for use with Ohm's own subs. This was the set-up John at Ohm had recommended for a room of my size, but I couldn't accomodate the large footprint of the Ohm subs. Therefore, I subbed in the SPLR subs and off I went!

Marty

BTW - The SMS-1 provides room analysis, PEq, and a very versatile high cut x-over for the subs. The thing is amazing!
Hi, Gang,
Sorry it's taken me such a long time to give you guys an update on my speaker adventures. I've been ridiculously busy at work and with family responsibilities...
I'm finding myself in what you might call a bit of a conundrum these days. On the one hand, with my new phono preamp up and running, I'm having a ball digging back into the miles and miles of vinyl that I can finally play again. It still amazes me how wonderful those black discs can sound.
On the other hand, speaker wise, I'm in a bit of a no man's land at this point...
Both the Ohms and the Totems can make amazing music, that's for sure. What I'm not sure about is what I'm hearing, and although I know that ultimately, I'm the one who has to enjoy and live with the system, I find myself wishing that one of you guys lived in my neighborhood so we could get together and tweak this thing!
Here's the thing: the Totems seem to have the edge over the Ohms when it comes to a sense of detail or transparency. I just find myself noticing details in the music, with some tracks, that are getting lost or muffled when I am listening to the Ohms. Now, the question is: is what I am hearing really "transparency," or is it more like an upper frequency tilt in the Totems? And are the Ohms, by nature, more "neutral?" I have read in some reviews that in the Totems are a bit "hot" out of the box, but that this "sizzle" settles down as they break in.
In this regard, I am also not sure whether I am hearing all of the midrange clarity that the Ohms are capable of delivering. I'm not sure exactly how many hours of playing time they have on them -- I haven't been clocking it -- but I'm guessing it's not much more than 25 hours or so. So, by any measure, the Ohms should still have some opening up to do, correct? By the way, I think I read one person post in Audio Review.com that Micro Walsh Talls sounded as if they were playing from under a pillow until they opened up, at which point, they revealed all kinds of additional detail.
The other thing I'm not sure about is whether I have either set of speakers optimally placed for imaging purposes. On some source material, the Totems present a very "etched" or precise sense of each voice or instrument in space. By contrast, at least as I have them placed currently, the placement of instruments with the Ohms can sound a bit more vague, for lack of a better term. As I've been switching the speakers in and out, I have used some pieces of tape on the floor to mark what has seemed to me to be the optimized position for each different set of speakers, otherwise, obviously, I'm not comparing apples with apples. But, again, I wish I had one of you with an experienced set of ears to help me with this task of speaker placement.
I would like to add, that, in general, the Ohms present a "fuller" or "meatier" sound, especially in the bass note regions.
Interested in your thoughts and advice...