Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Tim,

The MF is a good compromise between size and musical authority and I am not one to rock the boat. I've come close to pulling the trigger on a ARC d400 mkII and a MF A308CR, but have resisted so far.

My second system is the one that is underpowered a bit perhaps at present, but it too is hard to fault at the volumes I typically use it at. The MF would probably go into that system were I to acquire a beefier amp still.
Map, yeah the D400 would be great, wouldn't mind the extra oomph that would give me as well.

Foster, will be interested in your take on the Wyred. The McCormack is very nice inded. Tim
I started reading this thread sometime around Christmas and just finished it. It has been very entertaining and contains a lot of great information.

One thing about a thread like this is one can loose track of some of the earlier information. For instance, Mapman, I located a few references to the size of your smaller room, but I can't find the dimensions of your larger room. Would you mind reposting?

Bondmanp is one of the few posters in this thread that have made reference to using the Ohms in a combo 2-channel/HT set-up although I imagine others do as well. Has anyone gone all-in for HT using Ohms, and if so, I would really like to read about your impressions.

Thanks
--Michael
My larger room is L shaped, approximately 20' base and 30' length.

The F5s in that room have a three way adjustment for room size (small, medium, large) to fit them to various room sizes that other non adjustable models are designed to go into (plus 3 other 3-way tone level adjustments). I find the medium room size setting works best in this room. Set to "large", the bass becomes just a tad overpowering and tends to mask details in the lower midrange a bit.