Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Fin,

Look at my system pic titles "thebigohms". I usually listen from the blue swivel chair, anywhere from about where it is in the pic or further back, usually at least 8' or more in front of the speaks or for casual listening sometimes from the couch along the left hand wall.
Bondman,

Piano dynamics can be among the most challenging to reproduce accurately, so I think that is one good test for most any system.

Something is not right somewhere in the system, if you are hearing audible distortion as opposed to some tonal balance related issue. Its certainly possible the issue is in the speaks in which case there is something not right there.

The 1000 series drivers are still quite new. Its possible that there could still be kinks there compared to older models. Only John S. could probably say for sure.
Bond, it would maybe be a good thing to contact John and see what his thoughts may be. My 2000 drivers in the OW2 cabinets eventually smoothed out pretty nicely. Unfortunately, I had to get the OW2's back to their owner, but I feel like I got a very good feel for them. I am hoping yours will smooth out as well.

I never really got the same midrange issue as you, and surely not anything I would call "distortion". I think there were times that I could overdrive them a bit in my room which would muddy things up a bit. But once I got past the slight mid-bass bloat, things settled in very nicely!

Bond, I have a Narada sampler that has I believe David Lantz/Christofore's Dream, good piano, it makes for a nice demo. Some folks don't care for the Narada stuff, but I like it.

My main reason for going to the 3000's is that they will mesh better with my room volume and I will not have a tendency to overdrive them. Not that I listen to music at ungodly levels, but there are those times when you just feel like you want some concert-hall levels!

Also, not trying to take sales away from John at all, but have you watched any film with the Walsh's set up, center in Phantom mode, in my setting I am very pleased with how things sound without a center channel, but rooms and placement will have a big influence on that. I am thinking about getting a pair of Microwalsh's at some point for my surrounds.

I hope you can get squared away with your 2000's Bond, I do think you will enjoy them a lot. Sometimes too, I think it is all too easy to get in the "critical listening mode" instead of just letting the music speak for itself. Especially when you are in the dem mode and making sure these are what you want to purchase. Enjoy! Tim
Thanks, all. Please keep the piano recommendations coming. Meanwhile, I will revisit some of the offending recordings to see if the issue is dissapating at all.

I resent my email to John Strohbeen. Still waiting for a reply. I assume he is still in catch-up mode after being closed for the holidays.

I have invited several members of the local audiophile club in to hear and critique the 2000s (only one or two at a time - my listening room has space for two seats only). Hopefully, these more experienced ears will help me figure things out.

Frazeur1: This last issue, the roughness in the mids on piano, is severe enough that it forces me into the critique mode; if I were listening for pleasure, I would turn it off or at least switch to a different CD. Very frustrating since I really like these speakers in every other respect.
Bond- just to be clear. Are you getting the distortion on ALL piano recordings within the mid-midrange? Anything similar with acoustic guitar? Cello? Viola?

My gut tells me it's source-related: distortion in the recording. Two recordings I recommend are:

1. "Van Cliburn in Moscow" RCA Red Seal,1972, ISBN# 1779-45653-2

2. "Rachmaninov Piano Concertos 2&3"- Vladimir Ashkenazy- 1963
Decca Legends series ISBN# 289-466-375-2

These are older recordings, presumably with one mic. I hear a bit of distortion in the audience and other background noise, but the piano seems pretty good. Obviously analog recordings, with the Rachmaninov being a 24 bit/96Hz transfer.

I myself have some recordings that are unbearable on my MWT's, foremost being 'In the Court of the Crimson King" 80's CD pressing by King Crimson. Unlistenable since I got the Ohm's (I have not gotten the remaster yet). The speakers are just too damn revealing sometimes, I guess.