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narrow and wide baffles and imaging

According to all the "professional" audio reviews that I've read over the last several years, narrow baffles are crucial to creating that so-desired pin-point imaging.

However, over the last few weeks, I've had the opportunity to audition Harbeth 40.2, Spendor Classic 100, Audio Note AN-E, and Devore O/93.  None of these had deficient imaging; indeed I would go so far as to say that it was good to very good.

So, what gives?  I'm forced to conclude that modern designs, 95% of which espouse the narrow baffle, are driven by aesthetic/cosmetic considerations, rather than acoustical ones, and the baffle~imaging canard is just an ex post facto justification.

I can understand the desire to build speakers that fit into small rooms, are relatively unobtrusive, and might pass the SAF test, but it seems a bit much to add on the idea that they're essentially the only ones that will do imaging correctly.



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audiokinesis
2,731 posts
 

Imo the Precedence Effect explains many observations made about correlations between imaging precision and baffle width, in particular those posted by @shadorne on the previous page.

The Precedence Effect kicks in at about .68 milliseconds, which corresponds to the time it takes for a sound wave to travel about 9 inches, which in turn correlates with the distance around the head from one ear to the other.  We get our primary directional cues from that first .68 milliseconds, after which the ear/brain system suppresses directional cues from reflections.

So any reflections occurring within those first .68 milliseconds will degrade imaging, and in general the closer to that .68 millisecond threshold, the worse the degradation.  This is because as we approach .68 milliseconds, we are approaching the interaural time delay that would correspond to a sound coming from one side or the other. 

So, the wider the baffle the worse the imaging (ignoring the potential improvement from round-overs) until the baffle edge is more than 9 inches away from the driver's edge.  Then imaging abruptly improves. 

A round-over can mitigate edge diffraction, but it must have a large enough radius to be effective, at least 1/2 wavelength and preferably 1 wavelength.  The ear is most sensitive to diffraction at about 4 kHz, and at 4 kHz a wavelength is about 3.4 inches.  That's a pretty big round-over!  Point being, small round-overs probably don't do much.

Driver directivity can reduce the amount of energy that sees the cabinet edge in the first place, but care must be taken to not do more harm than good in the pursuit of increased directivity. 

Duke

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shadorne
7,467 posts
 
@audiokinesis 

+1 Totally agree.
tangramca
59 posts
 
I auditioned Devore O96’s when I was looking to upgrade. System was very good and listening room was in an old house with plaster walls and high ceilings. I was ready to be dazzled but in the 45 minutes I listened, the number one disappointment was the imaging. Granted, I was coming from Focal Electra standmounts but nowhere in the reviews had there been anything but gushing praise for the Devores. I value good imaging in my speakers so this was a dealbreaker for me. I purchased Totem Element Metals instead, which image almost as good as the Focals. So in, my mind, I have a bias towards narrow baffles imaging better than wide baffles. I am sure this is a gross stereotyping but still...
prof
3,468 posts
 
tangramca,


What exactly did you not like about the imaging on the Devore speakers?


I've auditioned them and found the imaging surprisingly good.  Depth maybe a bit foreshortened though.
wolf_garcia
6,679 posts
 
I've had a pair of very skinny (about 5.5 inches wide) Silverline Prelude speakers for years and they image amazingly well, in fact much better than various other tower speakers I've owned. However, they were retired to make way for a pair of Klipsch Heresy IIIs that image even better, with an amazingly well defined soundstage...and although they sit on the floor pointed up at what seems to be the exact angle my ears require, the image doesn't seem to originate from the floor and the image height seems like it's coming from a speaker at ear level. About 9 feet from my head, and 6 feet apart with some toe in seems to work best. These have horn mids and tweets which I imagine blow right by the baffle, and the 12" bass speaker covers most of the width of the cabinet so it's its own baffle...the whole thing baffles me, but I like it. It's good.
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