@ctsooner, the problem with the Vandersteen sub(s) with the LFT-8’s is that the LFT m-p panels are good to only just below 200Hz (the x/o is at 180Hz, 1st order), so any sub used with them must play that high. Few do, but the OB/Dipole Sub plays up to 400Hz! And being a dipole, the blend with dipole speakers is superb.
Douglas, I agree---ESL’s are king of the hill to me. Unequalled liquid transparency and low-level detail, and natural timbre reproduction. The reproduction of vocals---solo, harmony, and counterpoint, is extremely important to me, and nothing else equals ESL’s in that regard. I’ve had Quad 57’s for a quarter century, but they, as everyone knows, are SPL and bass limited. The LFT-8 provides an acceptable compromise for lots of Pop music, the recording quality of which is often really, really bad. The transparent reproduction of it’s sound often leads to less musical enjoyment and involvement, not more.
Damn Doug, you have a pair of LFT-6's?! I looked for a few years, but gave up and bought some LFT-4's. Cute little speakers. I've heard the Sanders and loved them (the Sound Labs too), and am planning on hearing Roger Modjeski's ESL's with direct-drive tube amps (no power amp output transformers, no ESL input transformers!) real soon.