Why Does All Music Sound the Same; An Explanation


Since the topic of music production, mastering, and the Loudness Wars comes up frequently on the forum, here's a good tour through the process.
(It's a few years old but still very relevant).

https://medium.com/cuepoint/why-do-all-records-sound-the-same-830ba863203



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Just watched a clip from a video interview of Mark Knopfler regarding his "Tracker" album. The setting is his studio with its large analog mixing board. Very little computer stuff to be seen other than his laptop. He indicates that this is where he records. Maybe that is why the SQ of his stuff is so good.

However, he did not say specifically how the music was produced/engineered so I can't say for sure what the process was.
Music is all about dynamic range. Nothing else matters. So you’re right! It all sounds the same.
There may be more similarity in how pop recordings and even most recordings in general are produced these days, especially if the target is radio play, but they still do not all sound the same. That’s just another untrue extreme generalization.

Some are done much better than others and there are many differences.

So yes the dynamics may all have more similar characteristics than in the past but some are still done really poorly, others quite well, and everything in between.

No doubt the actual content of pop music these days is very similar in a desperate attempt to appeal to a broader and more diverse audience than in the past  as are the cookie cutter "artists" that perform them.

Many recording artists work in top-class studios with talented engineers and the result is an excellent mix. The product is then sent to the mastering engineer as a digital file. This is where the compression and loudness happens. We're talking about pop music, rock, rap, any mass produced genre headed for airplay.

There are exceptions, of course, where the artist is powerful enough to make the decisions on the post-production of their music. ie, Neil Young.


I agree with Geoff in situations where the record label is calling the shots.

No doubt the actual content of pop music these days is very similar as are the cookie cutter "artists" that perform them.
Agreed. But some of my favorite bands who fall into the alternative or progressive genres are still subject to the same type of high compression mastering.