Why Does All Music Sound the Same; An Explanation


Since the topic of music production, mastering, and the Loudness Wars comes up frequently on the forum, here's a good tour through the process.
(It's a few years old but still very relevant).

https://medium.com/cuepoint/why-do-all-records-sound-the-same-830ba863203



128x128lowrider57
Very true about target audience, but I’m making the point that the mainstream music biz is in a sad state.

Erik, I listen to 90% classical so this doesn’t affect me for the most part. It’s only when I listen to rock and some remastered jazz which has been compressed that causes me grief.



Very true about target audience, but I’m making the point that the mainstream music biz is in a sad state.

Yep. I mean, this "it all sounds the same" is probably true for pop music in any genre. For R&R it probably started with the "wall of sound" treatment, even before compression started. You were supposed to consume it like bubble gum, drive to it, or dance to it.

It is the rare musician whose craft requires us to stop and pay attention anymore in this genre.
Consider however that this homogenization is kind of always with us. Chamber music with it’s basso continuo. Then classical music with predefined sections, and two combating melodies. They set the popular standards which make us notice when artists deviate from them.

And don't get me started on Nashville Country or Mexican Norteno music.  << shiver >>  The words are even the same for heaven's sake.  It is like playing a game of fill in the blank.


Best,
E

Compressed dynamics and excessive loudness are two different but often related things.
Mainstream music is essentially fast food ie McDonalds for the ears.  I wouldn't worry about it too much unless you are an audiophile who imbibes mostly on mainstream/pop music.   If it's a catchy enough tune, isn't that enough?
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