Best MM?

Jukeboxes in the late 50's and early 60's was the "high end" of that time. The reason they had the best cartridges, and 45 RPM turntables was quite simple; they pulled quarters out of patrons pockets in bars. No one I knew, nor did I have anything to compare to those jukeboxes.

Gangsters fought wars over whose jukebox was going to be where. The jukebox made more money than the lounge. This was because of the quality of the sound they delivered; they were made of the finest tube electronics, and the very top cartridges of that time.


  https://en.wikipedia.org/wiki/Jukebox


This is the best I could find, and it doesn't even give a hint as to the quality of jukeboxes in the city; the nuances, and the subtlety of those nuances that made this tune what it was, are nearly impossible to duplicate. Maybe I'm there, maybe not; I don't have a late 50's jukebox to compare.


      https://www.youtube.com/watch?v=NHold6ylvEM



Personnel
Ray Charles – piano, electric piano, alto saxophone ("Soul Brothers')
Milt Jackson – vibraphone, piano ("Soul Brothers," "How Long, How Long Blues," guitar ("Bag's Guitar Blues")
Billy Mitchell – tenor saxophone
Connie Kay – drums
Oscar Pettiford – bass
Skeeter Best – guitar
Kenny Burrell – guitar


Each one of those artists was a star in his own right; what we are talking about is the comparison with this music from the jukebox, with listening to those artists live.

That was Skeeter Best on guitar.

Let me repeat; it's the nuances, and the subtlety of the nuances that are so difficult to reproduce; everything in the record chain has to be perfect.

There’s something I left out; could those cartridges reproduce the "sound stage" I now demand?

As I recall, the cartridges were the top of the line Stanton and Pickering.

Let us put things in their proper perspective; this stuff was a lot cheaper in 1960, and it was what the average person played music on; that's why jukeboxes pulled in so many quarters.


    https://www.vinylengine.com/turntable_forum/viewtopic.php?t=40994


    https://www.turntableneedles.com/Record_Player_Phono_Cartridges-Ceramic


This was the high end in 1960, and few people owned Fisher; my rig was Emerson.


      http://www.fisherconsoles.com/brochures,%20catalogs/1960%20Fisher%20Catalog.pdf


    https://en.wikipedia.org/wiki/Fisher_Electronics


This was a lot of money at that time, and you got a lot of audio for your money.


  http://www.fisherconsoles.com/president%20IV.html


I read some comments on "consoles" and most of them had no idea what they were talking about; Magnavox was good while Fisher and Grundig were very good.

Some "brandless" consoles were just beautiful furniture.



      https://www.google.com/search?q=magnavox+console+1960&oq=magnavox+console+1960&aqs=chrome..6...


Grundig Majestic from Germany was tops;


        https://en.wikipedia.org/wiki/Grundig



            https://www.google.com/search?q=Grundig+majestic+console&tbm=isch&source=iu&ictx=1&f...:



These consoles produced some of the most beautiful music; it soothed me to sleep and I had sweet dreams. I believe the cabinet and the wood played a big part in the sound.


While all that equipment sounded good at the time, the only thing that comes remotely close to my moderate "high end rig" is the jukebox, and we are talking strictly "mono"


"So much for the good old days"


   

Raul, I've got a question for you; it's not that I doubt the validity of your evaluation of cartridges, but I wonder what music you use to evaluate.

For example; what differences would you find when evaluating this music with different cartridges; in the same price range of course, let's try over 1K but less than 2K.


        https://www.youtube.com/watch?v=NHold6ylvEM

@orpheus10  

this stuff was a lot cheaper in 1960, and it was what the average person played music on; that's why jukeboxes pulled in so many quarters.

I like music recorded and pressed in the 60s and 70s, some of those original records cost more than high-end euipment today. I have some very rare 45s, not all of them recorded quite good, some musicians recorded and released only 1 x 45 sigle and nothing else, not even LP, nothing. Some private press 45s only reached 300 copies. You can imagine how rare some of them today. But i don't play them on 60s equipment, i think from mid 70s to mid 80s some of the best cartridges were born and they are still unbeatable by most of th modern carts.