Capital Audio Fest 2018--show report


DAY 1

I came primarily to audition loudspeakers, so this report will focus on them. I omit associated equipment, as there was just too much to keep track of, and few rooms had handouts with the detailed list of components.

The first day of the show, I managed to visit 2/3 to 3/4 of the rooms that were of interest to me. The remaining rooms I’ll visit tomorrow morning, and then start going back for a second listen in the afternoon.

In what follows, I’m more or less transcribing my jotted notes that I took while in the room in question.

Note: the regular-sized hotel rooms being used by most exhibitors tended to emphasize strongly a particular bass range. For too many of the rooms I noted “bass boomy”. Only a few rose above this…

 

Some highlights, not necessarily in order of preference.

DAEDALUS ZEUS. Very large speaker in a large room. Very good generally, beautiful on classical. A big sound, but not overdone (like some others). Very natural. Wonderful dynamics. True majesty on large-scale classical.

DAEDALUS APOLLO. I still don’t know exactly how I feel about this speaker. It’s good certainly, verdict is out on whether it’s great. Decent imaging and soundstaging (I would have had them a bit further out into what is admittedly a small room). A good clean presentation, could be a little overwhelming on some tracks (volume of playback?, room?). Promising to be sure, and a real contender.

SALK SONG 3 BEAT. Easily my nomination for “best bang for the buck” speaker auditioned so far. Extraordinary for the price.  I repeat, really extraordinary.  A nice presentation overall, good depth of soundstaging, for the size of the woofer the bass is definitely there—and then some. Bass could be a bit boomy depending on the recording (see above). Beryllium tweeter (the BE in BE-AT), one of the best I’ve heard. On one recording it got a wee bit steely on massed violins being played back at high volume. Very impressed.  Of course the wood veneer is also fantastic.

IMC Audio. One of the true sleepers—well, perhaps not even a sleeper, as it doesn’t go on sale till this coming January. Extraordinarily fine. Look for a photo on the web—it’s unconventional, to be sure. A large slightly curved array (curved both horizontally and vertically) using bending wave drivers.  Sitting on top of massive woofers in a large cube. Very very natural sound. Good imaging, good soundstage. Good dynamic range, but not overdone. A true full-range speaker, that doesn’t overwhelm. Projected price around 20K. Dedicated crossovers with lots of adjustment, needs two power amps. I repeat: if ever a new company and a new product deserved to succeed, this is it!

HARBETH 40.2. OK, I admit it, still my favorite. One of the few in the small rooms that didn’t boom, but still produced strong, deep bass. Pure, natural, clear. Excellent timbre. Good imaging and soundstaging. Brought a smile to my face and tapping to my toe.

VIMBERG MINO. 29K. I believe this new speaker, or its bigger brother, has been commented on very positively from other previous shows, and I understand why. Big, full range, but not overblown sound, very natural, impressive presentation, sense of effortlessless.

DESTINATION AUDIO NIKA. Large speaker with horns and a massive cone woofer. The size overwhelmed the small room…..but the sound didn’t. It managed that trick of being delicate *and* full when required. Dynamic for sure. Ultimately I thought that the image projected was perhaps bigger than natural.

SONNER LEGATO UNUM. These tiny speakers with small, small, small mid-woofers seem to defy the laws of physics.  Using a 5.5” driver (it looks about 4”), every single visitor to the room was asking: where’s the sub-woofer?  *And* they could play loud, very loud. Ultimately I thought them slightly bright, slightly “hyped” overall and a little “larger than life”, though part of this could have been the volume they were being played at. Amazing engineering, to be sure.

 

Middle of the pack (for me).

What these speakers shared, was that they all struck me as highly competent speakers, doing everything right, but somehow they didn’t separate themselves from the pack. It’s as if there were a good, clean, modern sound that a number of manufacturers are converging on.

DYNAUDIO CONFIDENCE 20.

VIENNA ACOUSTICS BEETHOVEN CONCERT GRAND.

QUAD Z4. Nice presentation, but little except a keen price to differentiate it from many others.

DEVORE GIBBON SUPER 9. Their new model. Thunderous bass for the size. Good dynamics and full sound. But everything a bit homogenized, blended/mushed together, I think this affects timbre most of all, as well as individual instrument lines. Perhaps a by-product of being demonstrated as excessive volume (compression?).

TAD E1 [not sure of model name, floorstander]. Big sound, but overlarge images. What I call a “technicolor” speaker.

LEGACY SIGNATURE SE. After that less-than-rave review in Stereophile, I wasn’t expecting that much, so I was pleasantly surprised. Rich sound, good bass. Dynamic. Believable size of image. The more I listened, the more I became aware of a less-than-totally-natural timbre, and they also got a shade steely on classical violin at high volume. Definite bang for the buck, but probably not for me.

 

Disappointments. No disrespect to these makes/models, but on the day, in the room, listening to the tracks being played, I was severely underwhelmed. They have good reputations, so likely under different circumstances they would be much better.

SPATIAL AUDIO M3. I’d been really looking forward to hearing these. Very boomy in the room (because of open baffle??), and the sound overall seem very homogenized. Timbres not distinct, and everything kind of mushed together. Opposite of what I’ve been calling pure/clean sound.

WALSH OHM 5000-series. What can I say? As with Spatial, I’d been really curious to hear these, but I didn’t cotton to them at all. Perhaps it was the unconventional set-up (even for them), perhaps it was the room, perhaps it was the source material. Other people there seemed happy. But other than being overly loud, there was no imaging at all, the sound was homogenized, not in the least beguiling, and frankly it reminded me of a quality sound system being piped into a noisy upscale restaurant. As I say, *my ears* *on the day*, as I know there are many fans of this line of speakers.

 

Any requests of speakers for me to seek out?


128x128twoleftears
Thank you all for the kind words about my Carrera 7BE Loudspeakers with the ModWright HA300 300B tube integrated & headphone amp, Fern & Roby The Montrose turntable and Zu cables. It was a pleasure meeting and talking to everyone that came into our room.

We were actually supposed to debut the brand new ModWright balanced LS300 tube Pre-amp with the KWA150SE amp but that combo ended up powering the great sounding Destination Audio horn loudspeakers in room 549.

While the Carreras are 87 dB sensitive, they have first order series crossovers that are very easy to drive and IMHO worked and sounded great with Dan's 8 watt 300B tube amp.

Also- the CAF show special price is $2800 a pair which I will honor for the next couple of weeks if anyone is interested.

Thanks & happy listening... Fritz Heiler   FritzSpeakers.Com
My son and I had a great time at the show.
many of the systems were wonderful, so many companies producing great sound. My son loved the destination audio Nika’s.
i really enjoyed the La Scalia’s.
the harebeth/Conrad johnson room was very good.  I have always been a CJ fan and would love to own their big tube amp & pre amp. They powered the harbeth’s very nicely.
we had a very nice chat with the fern & roby room. Start up, I believe made in Virginia. Very nice wood craftsmanship. As a guy who builds furniture as a hobby, I thought his wood working exceptional. My son really liked his turntable.
the zu room was very fun, going to a stereo show with a 13 y/o boy, it was one of the few rooms playing music he would listen to.
plenty of great systems, lots to see and hear, had a great time.
I've been eyeing Salks since I heard them here last year when they auditioned the Song 3 with ribbon tweeter. Wish they had brought a set this year, may have pulled the trigger. I asked Jim to think about putting the Encore midrange in the Beat cab ......... said he already had one in testing...........think that would be the best combination for my ears.
KEF - Although my main speakers are factory refreshed Ref 104/2 I was overall disappointed with their room. Seemed they were most interested in making money on their tiny new offerings.....which to me would be what "mass America" would like, not audiophiles. After returning to their room 3 times to finally hear their England made Reference bookshelf.....loved the highs and sweet mids but the bass was pretty disappointing.....not as defined as my 30 year old KEFs.I was really blown away by the Charney speakers. He played a cello & some jazz and it was so big and full and natural sounding.........to my ears one of the best sounding speakers at the show.....in fact I have followed up with him and may purchase a pair. I don't think they will reproduce classic rock......Chicago, Santana, etc.........I listen to a very eclectic blend!I love the Harbeth 40 as well, agreed, the only "box" shaped speaker that didn't "bong" in the bass but when I found they were $16K.....I thought, way over priced.Came back home and fired up my Conrad Classic & Classic Sixty SE with KEF 104 and thought......I think I'm really happy with what I've got!


@mikeel... Yes, another plus with Salk is that he's open to customizing individual speakers for customers.  Sometimes these turn out so well, he adds them to his line-up, leading to the proliferation of models.

Ironic too that I was asking him pretty much the reverse, about the possibility of putting the BEAT Audio Technology midrange and a soft dome tweeter into the Song3 Encore cabinet.  That 9" woofer is very tempting...

This is Steve from Sound Insight
I just wanted to personally thank everybody who visited our room at CAF to audition the GT Audioworks speakers With associated gear from Pass labs, VuJade dac, Triode Wire Labs and Sempersonus turntable.
 Myles Astor from Audionirvana  selected our room as one of the best sounds at the show.