Tonearms: Ripoff?


If you search for tonearm recommendations you'll find an overwhelming amount of praise for $1k and less products. Audiomods and Jelco are the two most mentioned.

The Audiomods is just some guy making Rega-based tonearms in a workshop. Just some guy is putting out tonearms that compete with tonearms that cost many times the price -- from the likes of SME, Clearaudio, VPI, Graham, etc.

So the question is -- are tonearms just a scam? How is it that everyone loves Audiomods and Jelco to death and never talks about / dismisses high end tonearms? Is it because there's no real difference between one of these low-cost tonearms and the high end ones? Is an Audiomods Series V ** really ** the equivalent of a SME V? Some guy in a workshop equals the famed precision of SME? Is that once you have the math and materials worked out all tonearms are essentially the same? Or is it that most owners of record players online are dumpster-diving for vintage gear and simply can't afford to listen to better?

So, what's going on?
madavid0
Surely this is getting a bit out of hand, doesn't it? We all know there is a group of people with excessive wealth and in our current economic system this can only go in one direction: further up.
So what do you do when you already have a dozen houses around the globe, a few yachts to play with, a bunch of cars, watches, should I continue?

Somewhere down the line of such trophies comes our precious little hobby. Even when only a very small portion of the global 1% takes a fancy to high end audio, there is still big money to be made. Which explains the existence of 10k+ cartridges, 100k+ turntables, etc. Audio designers are just like normal people with mortgages to pay, so if there's a market for such items, they will produce it.

Does this make such products rip offs? Not necessarily. There are serious and talented audio designers who have welcomed this market as a unique opportunity to work with a budget that will allow them to push the bounderies of technology and performance (and still make a nice profit). Other designers may consider this to be objectional (or even distasteful) and choose to focus their talents on making high performance products at reasonable prices for regular folks. Some do both.

But as in every market there are also likely to be fraudulent types who will step into this 'trophy' market, stick a silly price tag on some fancy looking mediocre product and hope to make a handsome profit by selling it to some ignorant with money to burn. That would certainly qualify as a rip off, but why should we care?



@madavido you clearly have the wherewithal to purchase an inexpensive tonearm to go with your TA table.  Spring for a Jelco and judge for yourself.  I’d buy an SME V in a heartbeat if I had the cash and the right table to pair with it, and there’s lots of those. 

I sure wish more of the people recording music and manufacturing physical media had the high standards observed by high end audio designers, manufactures, and audiophiles. To play the junk that is most recorded music on a high end pickup arm (and any other expensive component) is hard to justify. I long ago learned that the better the system, the worse most recorded music sounds.

Still, it beats the alternative. In some ways, even sonically-mediocre material benefits MUSICALLY from superior equipment, even if not sonically. The price-to-performance ratio evaluation is a personal one, not something that can be answered for you by anyone else. But then, the OP wasn't really looking for an answer to his question, was he? Or even a discussion of the topic. His post was more like a statement, with a question mark tacked onto it's end.

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@elizabeth My choice of arms and cartridges has been listed here many times in different threads even with pictures, everyone who read this section of the forum is well know what i’m using and what i like when it comes to cartridges and tonearms. Even earlier in this thread i have described my philosophy (of choosing equipment). You have nothing special in your system, just good modern high-end as i can see, also you don’t use $50k tonearms and $20k cartridges, so you’re "normal", that’s good news.

I know people who can buy $12 000 record in VG condition to play on $100 turntable. I know many record collectors from all over the world, the rarity of the record is much more important for them than equipment. $300 for a rare 45 is an average price for them on auction or privately, but the "best" equipment they got is old SL1200mk2 with some worn conical styli (all for $300 on used market) connected to cheap dj mixer and a pair of crappy active monitors or average speakers. The value of their record collection is over million dollars, they don’t care about equipment, they are all about the music, believe it or not. Some of them are living in Japan where it’s much easier to find and buy some amazing audio equipment, but they don’t care. I know what i’m talking about, it’s not a fantasy.

At the same time the majority of the rich audiophiles with the most expensive systems are playin utterly bad music, and what the dealers playin at the high-end shows is rubbish, you can go from one showroom to another and all you can hear will be Diana Krall (same song). The new trend is to play some awful electronic music. Some of those elitist audiophiles have no taste as i said. Some of the most expensive modern equipment is simply the uglies design ever, so the designers have no taste too. The prices are insane.

Well, this is my private opinion, not to offend anyone.