Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Well, twoleftears, something must be wrong with my system. I get no sound beyond the boundaries of my speakers, but then I don’t expect any. You can revisit what I had to say about set up in RV’s other post on imaging wherein I talk about the ’stereo construct’. Only out of phase information can appear there, but side wall reflections are often mis- heard as primary signals. Nothing wrong with setting up your system to get that sound if that is what you really want.

About the recording itself, it is a 1979 DG after all. Not overly warm or romantic. I love the clarity of his and the orchestra in these pieces, as compared to, lets say my old favorite (on LP’s) Claudio Arrau. Neither the piano nor the orchestra dominate. I find the sound balance with the piano on left center of the stage. FWIW I have quite a few of these works but this is the only one I listen to any longer. I understand that he did a redo in 1999 of these works wherein he conducted from the piano with a Polish Orchestra which is highly regarded. These are apparently highly regarded as well even if quite different.

I’m no expert on these pieces. Perhaps RV would like to comment.
I’m sorry I cannot comment on the fine points of his  Chopin concerto recordings because I don’t own them. But I have heard him live in concert, playing and conducting the E minor Concerto. A very original, some would say eccentric performance with great variation in tempo; a very personal interpretation like none other I’ve heard.
Truthfully, I was not totally convinced of his approach.  While original, it did not let the music flow.   He certainly is a fine pianist, but this performance did not work for me.  His 1999 recording which I’ve heard  is quite similar to what was executed in the concert.  I would guess  his earlier recording with Giulini is more conventionally rendered.
RV.I had time to do a comparison over the weekend of IDAGIO and QOBUZ streaming and I came to the conclusion that at conventional CD rates that it was swings and roundabouts , not one winning over the other. However when it came to higher rez files the Qobuz 24 / 96 files trounced the cd quality files with the higher rez having so much more air about them , also the treble was much improved on the higher rez.
“Swings and roundabouts?”
Not an American term, but I get what you mean.
Of course, I would expect the hi res files to sound better.
Maybe, some day...
Newbee,

 I’ve just located both Zimerman performances on IDAGIO.  I’ll give them a listen and report back.