Infinity Renaissance 90 questions


Hi fellow AG'ers, I have just pulled the trigger & purchased a pair of Ren 90's in black ash & had some newbie questions for more experienced members. Firstly as they are still shipping from the US, I'd love to know what finish (Black ash or blonde oak) you prefer? In my case, a micky mouse pair came up for sale at the right price in Black ash, so I grabbed them..

Also, I will be initially running my Rens with a Classe Cap-2100 integrated amp which has been bench tested at 235watts/4 ohms. I know most punters advocate giving them 400 watts per channel, so what do you think? (although the Classe has a truckload of current to compensate). I should mention I plan on upgrading to a Ca-2200 pa & AR Reference 3 in a few years, but for now, the Cap will doing regular duties.

Finally, I would be interested to hear from any members who have re-wired their Rens & had a high-end external crossover built & what results you got? I am planning a very high end x-over mod & re-wire of my Rens with Acoustic Zen wire next year and would appreciate any suggestions.

Cheers!
melbguy1
i tried firing them directly down the room without any toe in and i also find them to be more accurate and to me the sound stage also improves, but with 1/4 of an inch toe in i find that they image slightly better in my room, do you angle your speaker back? i like mine about a 1/4" angled back, a laser comes in handy when measuring, i also like them with no angle at all, its amazing how 1/4 of an inch angled back can effect the sound, thanks for the advice, i think your right, the super tweeter is the way to go.
greg
Yes I agree with you re the tilt. None or just a little works best for me too. I also discovered early on that close proximity to side walls kills the soundstage. You need several feet (1m) as a minimum.
I have them 1.30 from side walls and 1.50 from rear. With the "toe in" you can decide how deep you want the stage to be ...

furthermore only the right amplification will produce a completely holografic stage imaging
Hmmm Okeeteekid, Clavil's comments make me think you mod on your K9's may have cured an efficiency problem. Those monsters Clavil is driving his Rens with, and the similarly superb results owners report from similar set ups makes me think that if you can overcome the Ren's efficiency issue, you can really see what they're capable of. I know the Kappas are preferred for those wanting a "big" sound and more bass slam, but I can't believe that, given sufficient high quality amplification, the Kappa's tweeters could be more revealing than the High Energy Emit which Cary Christie described as Infinity's best tweeter to date. The thing is though, the Rens MUST be connected with upstream components purer than holy water & MUST be driven with a LOT of very smooth, clean power. Plug in the wrong amp, and the Rens sound just "ok". But your experience is interesting. I just wonder if with a given set up, the Rens wouldn't outstrip the Kappas..to me, save for the above caviat, they should sound more revealing...

With the above said, if you have hit the jackpot with your current set up, fantastic! It's just a shame you're not in Timpani's neck of the woods, otherwise I might have been able to come over for a listen one day :(
I only ever feed my system from CD / SACD source but there are many CD's (old and new) where the soundstage is so wide that it wraps around - 360 degrees. Instruments often appear to be behind my listening position - and no I'm not using any pseudo 3D encoding. I wonder if anyone else gets this experience from their Rens. Indeed a friend of mine who owns Krell gear driving B&W800S speaker ($$$) claims that the Ren's are somhow creating an artificial 3D experience. I don't buy that though. I believe the Ren's are one of a select few speakers that can actually recreate the actual recorder soundstage.