Okay, when it comes to "sound staging," what can we expect from mono recordings?
I have collected hundreds of mono jazz records from the early 50s. I can honestly say that when listening to the best of them, I could care less about a stereo effect. With the best mono's, the sound is expansive and fills the space between the speakers completely. Granted, there's nothing outside the speakers, but there's a certain "rightness" or "correctness" garnered from mono recordings that's really hard to get from stereo records. Personally, I like both.
Frank
I have collected hundreds of mono jazz records from the early 50s. I can honestly say that when listening to the best of them, I could care less about a stereo effect. With the best mono's, the sound is expansive and fills the space between the speakers completely. Granted, there's nothing outside the speakers, but there's a certain "rightness" or "correctness" garnered from mono recordings that's really hard to get from stereo records. Personally, I like both.
Frank