What is the cost of a fully tricked out Linn today with the ’right’ upgrades, arm, etc.?
I first heard one in the early seventies at Opus One in Pittsburgh, a hi-line salon that was really the mindspring of Tasso Spanos, a brilliant, quirky guy who sold equipment he thought sounded good- at the time of the Linn, he was the ARC dealer and introduced the Dahlquist. The Linn was very lively, very musical, but we’re talking about a musical memory of more than 40 years ago.
When I lived in Brooklyn Heights in the ’80s, Innovative was a huge Linn dealer- I don’t know if they were the biggest in the States, but man, they were fully on board with the whole Linn experience. I heard some good systems there.
I know you are a staunch advocate of the Linn table on the forums Davey, but perhaps other people have other directions? I’ve had several very good tables in my systems over the years. Every one, along with arm, isolation and of course cartridge, sounded different.
The one thing that seems to be a big variable with Linn is set-up.
I know with other tables, set up is key.
My sense, whatever the merits of the table today, is that it has been overshadowed by other things in the marketplace. Whether or not those others are truly better, I’ll leave to those who have owned the Linn and moved on. Depending on the price of a full-on Linn it may also no longer be competitive. If I were going to spend a big sum on a table today (apart from the one I have), I’d be interested in hearing the EMT 927.