Speakers in 10-15K price range for Classical music

Neal1502...based on my reading of your posts, I think we seem to have similar room dimensions and, perhaps, similar musical preference. I also will be attending RMAF to scope-out speakers at that price range. The ones I will listen to include Horning Hybrid Eufrodite MK3, Ascendo, and Audio Acoustics.

I just might see you at RMAF. If you want a speaker-mate to demo speakers, let me know.

Ken

Avoid any speaker with a metal dome tweeter in it...in fact avoid metal drive units period...they ring and shriek and don't sound anything like real instruments.

The Spendors should be good prospects material-wise...I particularly like the sound of scanspeak tweeters (such as those used with some Spendor models) when it comes to accurate instrumental timbre with classical instruments...but based on what I have heard, they (SP 2/3 and SP 3/1P and SP 3/1R) don't quite do it...sounding too dull and too dynamically constrained to be convincing. They sound artificial and shut down and just lack the ability to recreate the drama and timbral qualities of real instruments.

Not to single out Spendor because I was not convinced by models from ATC (too dull and dynamically contrained), Magnepan (colored sounding...not realistic enough...had a tendency to shriek), Martin Logan (just missed the mark...a little synthetic sounding), and Gallo (good tweeter but midrange sounded weird and synthetic) either (just to name a few types that don't use metal drive units).

The Vienna Acoustics models sounded too sucked out in the presence band to convince with a range of instrumental timbres.

Truthfully, there are very few speakers that do classical well enough for me.

I like the sound of Phase Technology tweeters. They sound realistic and natural with classical instruments.

It's hard to get the power band i.e. lower mid-range right and modern speakers seem to mess this up really badly.

If you find a good speaker for classical music, I would like to know about it.

Forgot to mention that the Dynaudios (with the right amp) can be convincing. They have the ability to recreate realistic instrumental timbre but need the finest sources (the best digital or analog sources) to achieve this.

I prefer the newer models with trapezoidal cabinets to the older models with standard cabinets (which sound significantly boxier).

Dynaudio models cannot be bi-amped but I would almost be tempted to do this, as they typically use an 8-ohm tweeter and 4-ohm bass/mid unit. The tweeters sound delicate and refined connected to the 8-ohm taps of a tube amp but the bass-mid unit needs to be connected to the 4-ohm taps to sound balanced (damped and controlled). A very refined solid-state amp will also do the trick (without having to re-do the crossover).

Layman:

I have found the Devore Fidelity Silverbacks and the Verity Fidelio Encores to be excellent at their respective price points for classical music. I feel the Silverbacks are actually a little better than the FEs for large scale orchestral works, but overall I preferred and purchased the less expensive FEs.

And of course the Verity Sarastros are just incredible for large scale orchestral music but too large and expensive for me. My friend and dealer (Don Better of Don Better Audio) told me that when his Cleveland Orchestra friends come over to listen to classical music, they all prefer to listen to it on the Sarastros. And Don has a lot of great speakers to choose from.

09-17-09: Macdadtexas said:

I think if you upgraded your amp first, and tried the Spendor or Maggie 3.6's again you would find them much different. Your integrated does not have the power to really open up either of those speakers."
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I couldn't agree more! In your original post you were looking at speakers in the 5-7 K range Before you double or triple your original budget on speakers I'd consider what a better integrated or separates might do with the Spendors or Quads..

just my 2 cents, but it might save you a lot of money:)