I have always had contact with different specialists since 1998. Without these people I would never had been so far as we are now at this moment. I needed their insight and knowledge to be able to understand sound as in its entirety.
The biggest problem in audio is that no one understands sound as a whole. Sound is so much more complex than people can even imagine. I have been aware of this for a long time. This is why I contacted different specialists.
Manufacturers now understand when I talk to them that they do not understand sound as a whole. They cannot answer the questions which are needed to understand sound. They never have thought so deep in details as I have thought about it. This is the main reason why they cannot answer these questions.
I learned a lot thanks to live music. That is why I will use conservatorium students by presentations in 2019. This makes it a lot more easy for me to explain what intimate sound is and does. And even what 3-dimensional sound is and does to our emotion.
This makes it possible for me to show that I copy the way sound and instruments sound and behave in a room. And that Tru-Fi sound simmilar to this.
We can create our own targetcurve with our Statement Audio Pro-measurement. We recently introduced the latest version of our S.A.P.-measurement. It is the biggest step we ever made from the former measurement to a new one.
S.A.P.- measurement proofs how much more you can get out of a poweramp. This also proofs that what we call 'a 1980 amp or preamp' is very limited in endresult. Each amp or preamp owns a targetcurve. But you cannot change it. And what people do is they gamble with cables to create an improvement by trail and error.
This will always be very ineffective. Tru-Fi overrules it as it it is audio for little children. The latest version of S.A.P.-measurement proofs that it can adapt the sound based on all the dna of each part what is connected to a system. When we do a measuerment all the parts we use during a measurement influence the endresult.
What I means is that it can adapt the endresult to the dna of the amp(s), loudspeakers and cables which are connected. This is why it can outperform any 1980 poweramp or pre amp. I call an amp or preamp without a measurement-system a 1980 amp or preamp.
They still work rather the same way as they did in 1980. When we visit a show or new clients the facts proof that often there is nothing adapted regarding smog, highfrequent noise and magnetism. Even when people have spend 300.000 dollar or more, it never will help you with the influences of these limitations.
The facts proof that people in audio have very limited insight and knowledge regarding smog, highfrequent noise and magnetism. When you take a look at the brands who have a roomacoustic measurement system they often make the same kind of mistakes.
So it proofs that they copy the way of measuring from eachother. I can proof on facts that the way they measure is the level of a child. They are not able to understand how you need to measure. Trail and error will never make you understand what you do.
They cannot see the connections why the way they measure does not make sense. But in my world it is very easy to understand what they do wrong. I can hear the limitations they create by the way they measure. But they don't see it. I call this audioblindness. It is not even on their radar.
They do not own a brain to be able to think and make decisions based on connections. When they would have had a brain what sees these connections they would 100% never made these mistakes. For me audio is like a Formula 1 car. I want to improve it all the time and over and over again. To create an even higher level or result for me is like dope.
I have to admit that music is the most addictive thing in life for me. But.....creating sound is the second thing in what I love most. Creating new levels in sound&vision for me is so addictive. Tru-Fi makes it possible for me to make improvements very easy and this never stops.
Tru-Fi is like an enigma machine, you can see it as 3 wheels what can be changed in different combinations.
Wheel 1 are all the different aspects/properties of sound
Wheel 2 are all the parts who infleucnes sound and stage
Wheel 3 are the the aspects which influence the human emotion.
I can make many different combinations with them to create new data. This is how I work. I create new data and compare it with the old data. And when it is better based on all the aspects/properties of sound it becomes the new reference in that part.
This is what I do constantly. Like auditioning new products. To see and hear if they can reveal all the different apects/properties of sound. Each product what is incomplete (misses different aspects/properties of sound) we never will use or sell these products. This counts for over 99% of all audioproducts. This proofs how difficult it is to find the perfect DNA.
