mzkmxcv289 posts01-06-2019 6:38pm@geoffkait
In terms of music mastering (like the DR Database may score one song a 6 and one song a 12). This is the comparison of RMS vs peak levels (or some variant).
In terms of digital audio as a format, it’s the amount of bits. CD is 16Bit, so, if undithered, it has ~96dB of dynamic range (20*log10(2^16)). Meaning from the loudest sound possible all the way down to the lowest noise possible (due to the noise floor), it is a difference of ~96dB.
>>>>The dynamic range is independent of noise. It’s the ratio of two levels of loudness. Loudless level to softest level. Noise has nothing to do with it. Signal to Noise ratio provides the relation (ratio) of signal level to noise level. Dynamic range compression has nothing to do with noise.
In terms of music mastering (like the DR Database may score one song a 6 and one song a 12). This is the comparison of RMS vs peak levels (or some variant).
In terms of digital audio as a format, it’s the amount of bits. CD is 16Bit, so, if undithered, it has ~96dB of dynamic range (20*log10(2^16)). Meaning from the loudest sound possible all the way down to the lowest noise possible (due to the noise floor), it is a difference of ~96dB.
>>>>The dynamic range is independent of noise. It’s the ratio of two levels of loudness. Loudless level to softest level. Noise has nothing to do with it. Signal to Noise ratio provides the relation (ratio) of signal level to noise level. Dynamic range compression has nothing to do with noise.