Why not horns?

Oh, I meant to speak to the meticulous set up in a purpose built room. I once went to audition an amp and the guy had a purpose built room to the point of having non parallel walls and reinforced floors. He had a $75,000 Ongonku amp and their silver step up connected to his reference turntable, whatever Fremmer was using at the time. Room tweaked to nth degree and no expense spared.

He was surprised when I pointed out his speakers were out of phase. My point being if a supposed audiophile can miss something so glaringly obvious it is extremely easy to miss some fine point in the set up that takes it from sounding very good to making it sound right.

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Also, I complimented the designer of the horns on how well they were setup. The room was only about 14X18 feet or so with high ceilings. The event was in a quite exquisite 19th century mansion with lots of hard surfaces, ie wood, marble brass,etc. This particular room was in the rear of teh first floor and seemed to be a very elegantly appointed den, study or similar room. The horns were perfectly balanced and set up for this room I would say, delivering a lot of sound but never seeming to overpower the room in any way, which I thought was quite an accomplishment. I do not think it possible to squeeze any more good lifelike sound into a room that size without driving people from it, yet most of the listeners who popped in stayed for a long time and did not want to leave, which is always the best sign.

Okay, then let me put it this way.....
Between himself, myself, and at least one other professional there is 60+ years of collective experience in the overall set-up of that room and system.
I'm confident my own 20+ years of professional experience is enough to say that he has those horns as "optimized" as they will ever be.

And, yes, in this case three pairs of basshorns does come close. And I have the data to prove it.
Like I said, they are not full horns but they are horns non-the-less. Between the triple stack and the very high sensitivity of the 6 individual woofers per channel, well, I'd like anyone to show me a "horn" that goes all the way down to 20Hz thats better! (And fits inside even a generous listening room.)

@ Herman, I should have looked up your system before trying to answer your posts. my apologies.
But if I may be so bold, apparently size and overwhelming a room is not such an issue for you! haha.

But I stand by my statement on the triple avantgarde basshorns. The cumulative length isnt quite like yours but the end result is probably the same. The overall sensitivity pretty much matches the other three horns, which is the point anyway. (right?)

Oh, and we tried the time alignment a LONG time ago. Big improvement, Yes, but still not my cup of tea in the end.

+10 Agree with your assessment ...

High fatigue factor , poor instrument sizing (everything stay's powerful and big) mucho coloration!

regards,

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06-14-10: Prdprez
an admitted naive observation from a bachelor........

Why is it that we need to figure out ways to get the wifes "out of town" whenever we want to have a little audiophile fun? It seems to me that they don't plan on ways to get the men out of town whenever they have their little parties. To the contrary, they plan the party and we pretty much go running! LOL! (Hmmmmm. wait a minute!.........)

Back to the thread.... Why not horns? Well, because they sound like horns. My friend has meticulously set up his Trios with 3 pairs of bass horns in a dedicated and purpose built room with every little trick and room correction you could think of.
Mighty mighty impressive dynamics. Sometimes feels like I can hear the nose hairs moving in the recording. But ultimately only fun for a little while. I always come away feeling as though I have listened to a well constructed parlor trick rather than a live musical event.