Why not horns?


I've owned a lot of speakers over the years but I have never experienced anything like the midrange reproduction from my horns. With a frequency response of 300 Hz. up to 14 Khz. from a single distortionless driver, it seems like a no-brainer that everyone would want this performance. Why don't you use horns?
macrojack
"ALL speakers have colorations."

All recordings do as well. Same true with every piece in every system out there. So the idea of no coloration is not reality and not worth losing any sleep over. If you enjoy what you hear, then that's about as good as it gets.
With regards to amplifier power and amplifier types used on horns:

My speakers are horn hybrids, using a high efficiency pair of 15" woofers, which limit the efficiency to 98 db.

If I push the system hard, I am really challenged to clip a 30-watt amplifier. But I prefer 150 watts if I can get it, even though I will never use the power. In my case, because I am using OTLs, the amps have no issues at low power: the less power, the less distortion, quite similar to SETs.

The system plays very clean and is devoid of loudness artifacts. The only way you can tell how loud it is playing is if you try to talk to someone sitting beside you or if you have a sound pressure meter.

Amplifiers like the kind I am using (zero feedback) tend to make more distortion following a curve where the distortion becomes more pronounced as you approach clipping. Distortion is where loudness cues come from- the result being that while I can get satisfying volume from the 30-watt amp (and right now I am playing a pair of type 45-based P-P amps that only make 5 watts), the simple fact of the matter is that there are less loudness cues when I use the bigger amps.

(FWIW, the Trio is only horn speaker I know of where the designer intended it to be used with transistors. This is reflected in the crossover design, or lack of it, which consists of capacitors to roll off low frequencies for each driver. This results in an impedance curve that is nearly 19 ohms in the bass horn, but only about 4 ohms at the tweeter frequencies, even though the individual drivers are all nearly the same impedance. No low power tube amp is going to drive this right as the speaker is what I call a Voltage Paradigm technology, whereas most low power tube amps and other horns are Power Paradigm technology. see http://www.atma-sphere.com/papers/paradigm_paper2.html for more info.)

In a case where the speaker is 10 db more efficient than mine, the need for power does get eroded; 15 watts is a lot of power on such a speaker but IMO you do this to reduce loudness artifact from the amp. Horns tend to be very reactive loads and so are often shouty and shrill if the amp used has a low output impedance, particularly if that low output impedance is due to loop feedback in the amp (the back EMF tends to get into the feedback loop, causing the feedback signal to contain false information). This is one reason why horn users who get good results rarely use transistors, and a major reason why many people think that horns are for PA, not hifi. In a nutshell, its an equipment mismatch.
Al, I wasn't questioning your analysis, you clearly understand the technical side of things. I was just trying to clarify the mystery of why this particular amp could double power when outputs were put in parallel.

BTW the specs for the VK-600 and others are on the website. The 600 delivers 300W/ch @ 8 ohms and doubles that into 4 ohms. I also checked on the power output when run as monoblocks. As we predicted, it does not double it's power output as a monoblock. I was told they can produce "somewhat" more power because the supplies don't sag as much. Again, consistent with what was previously stated.
Ralph, interesting info on the trios. I have Duos with the high impedance drivers so I assume it is the same scenario except the mid horn has no electrical crossover; the tweeter does. It looks to me from their brochure that the cap is in series with the driver which makes sense if you want to block low frequencies. I don't see how this would cause the impedance to dip to 4 ohms at high frequencies. Help me out here.

As soon as Pure Music releases a version with a three way crossover instead of just 2 way I intend to pull the tweeter crossover and try to run it straight to the amp like the mid and my basshorn are now.
JohnK, I think it's great that an offset bipolar type might find its way into your lineup! I consider it an honor that you see enough potential to give it a shot. Let me know what Joe thinks if you get a chance.

There's at least one other manufacturer, Jim Romeyn, doing his own variation on the theme, and here's a link in case you'd like to take a look at what he's doing:

http://jamesromeyn.com/home-audio-gear/jr-modular-pro-monitor-3kpr-usd/

Very best to you.

Duke