High resolution digital is dead. The best DAC's killed it.
Before then, there was a consistent, marked improvement going from Redbook (44.1/16) to 96/24 or higher.
The modern DAC, the best of them, no longer do this. The Redbook playback is so good high resolution is almost not needed. Anyone else notice this?
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Polarity has some effect, but it has more to do with pressurization of the room than imaging IME. If you want to properly test this and you have balanced analog cables in your system somewhere, then there is a simple tool: Just solder a female and male XLR connector together and connect pins 2 and 3 between them. Make 2. Insert this into your cabling. Test with the same track, with and without the adapter. Steve N. Empirical Audio |
This just in! From Clark Johnsen, author of the book on Absolute Polarity, The Wood Effect. From Clark’s Diary over on Positive Feedback from some time in cyberspace,
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So many recordings were made or mastered in reverse polarity. Here's an excellent expose of polarity issues pertaining to both equipment and recordings. https://iamyuanwu.wordpress.com/audio/audio-direction-ltd-adl/adl-absolute-polarity/ Equipment is often in reverse polarity, with speakers being a major culprit, both reversed or drivers in and out of polarity to each other. Even two sides of an LP could be different (1 side correct, 1 side wrong). |
- 181 posts total