What's in your CDP tonight? the minority report


I enjoy vinyl and digital (lately, with recent changes, vinyl actually sounds better than digital to me), BUT given what seems an overall preference for analog/vinyl on A'gon, I'm curious what the non-vinyl "1/2" is listening to. I tried to see if this was a previously posted question. Did not seem so.

This evening for me, it's Genesis (definitive edition remaster) "A Trick of the Tail".

128x128ghosthouse
@bdp24
Thanks for the recommendation. While I mostly don’t G.A.S. what "hip" thinks (except, maybe, during a decade about 60-70 years ago...think Maynard G. Krebs) I’ll gladly take your word on the matter ;-)

Springfield MO Queen City of the Ozarks was home to my alma mater. When I was there, Ozark Mountain Daredevils were just breaking. The Quilt LP was a new release. Never heard a whisper about The Morells back then but as un-hip as I be, that’s not surprising. Some investigating’s in order.

Meanwhile, Pinback’s Autumn of the Seraphs is playing. Thanks to Pokey77 for the intro to this band.

Blue Harvest, track 8...
https://www.youtube.com/watch?v=vjYzwNe903I



@ghosthouse, I used the term hip in the sense of being hip to what makes a musician a good one, a band a good one, a song a good one. Dave, Nick, EC have real good taste, loving NRBQ and Los Lobos as well as The Morells.

There are moments in every musicians life when he realizes he has outgrown those around him, and he moves on, being offered opportunities denied to those he leaves behind. I saw this for the first time when my musical world became divided in two: those who "got" The Band (and others like them), and those who didn’t. Those who didn’t stayed mired in the "old" musical world, those who did kept progressing.

Awhile back there was a reunion of old musician friends in San Jose, and both factions were there. I knew what became of the latter group, as they and I had crossed paths over the years, sometimes working together. The former group was still in a 1967-8 mindset, still playing "Rock" music. I was played some of their demo tapes, and they had obviously not moved beyond the Jefferson Starship and Journey mentality. You feel pity for them.

One listen to The Morells and you instantly know how cool they are. They also made music as The Skeletons and The Symptoms, and guitarist D. Clinton Thompson put out some great 7" 45’s. Their musical instincts are impeccable, right up there with Buddy Miller, Rodney Crowell, John Hiatt, Marty Stuart, and the rest of the Americana crowd. Bassist/producer Lou Whitney and drummer Bobby Lloyd Hicks have both died of lung cancer (from guess what ;-), as has my old bandmate Paul Skelton of Austin’s Cornell Hurd Band, one of whose albums Lou Whitney produced. He was a national treasure, greatly missed in my world.

@bdp24
Appreciate the further discussion. I seized upon your use of "hip" as opportunity to express my disdain for the latest, fashionable culture-trends. I understand how you were using it. Don’t always share your preferences (The Band and Los Lobos being notable exceptions to that; there are others, no doubt) but can’t argue with your "rootedness"; i.e., an informed connectedness to contemporary music history. Progression might be some of what distinguishes "hacks" from artists. :-)

I did find a couple of Morell’s tracks on YouTube. They do a nice version of Nadine. A side-note - listening to their group harmonies made me realize some of what’s "wrong" with a lot of contemporary popular music: harmonizing seems to be a lost art. I exaggerate, of course. Not a huge fan of rock-a-billy but I do appreciate the contributions of Sun Studio.

Later.

@ghosthouse, Yes! Harmony singing is almost unheard of in the vast majority of contemporary music, but it goes back much further than that. Listening again recently to mid-period Beatles (I heard them so much as a teenager, I rarely ache to hear their music), I was struck by just how good they got at 3-part harmonies, which I now prefer to even Brian Wilsons more complex and sophisticated harmony writing. When the big break occurred in Rock music in the late 60’s (between its Blues and Country elements), Led Zeppelin won the fight; Blues became the dominant influence in Rock music, and Blues does not generally incorporate harmony singing.

Zeppelins 3-musician, 1 singer band format became THE standard for Rock music, and it has really stood the test of time. None of the big Rock bands since (The Stones, Aerosmith, Rush, Nirvana, Pearl Jam, Van Halen---VH’s phony "harmonies" don’t count) have featured harmony singing. The Band followed Ten Years After on the stage at Woodstock, and Levon Helm later said they felt as if they would come off sounding like choir boys after the brutal assault on Blues by TYA. Levon therefore started The Bands set by saying to the crowd "Hope ya’ll like Country music". The Band weren’t a Country band, but sure had Country influences. In the southern United States, Country and Blues were like first cousins (maybe even brother and sister), not that much separation. But by the time of Woodstock, ANY Country influence put you apart from Jefferson Airplane, Jimi Hendrix, The Who and all the other English bands.

As I have been aware of The Skeletons/Symptoms/Morells since the late 70’s, and own all their LP’s and CD’s, I had never bothered to watch a video of theirs on You Tube. Ghosthouse, your mention of watching one inspired me to do so, and coming at them from the perspective of someone such as yourself, I must say I can certainly understand why a person would be underwhelmed by them at first blush. They sound small; a regional, local bar band, and nothing more. They were obviously never going to become a national act, never going to fill stadiums. Neither were NRBQ, yet when David Sanborn introduced them on his TV show, he called them the best Rock ’n’ Roll band in the world.

I realize and accept that a lot of Audiogoners don’t find Rockabilly to their liking; it DOES sound an awful lot like Hillbilly/Hard Country---very rural, primitive, lacking in big production values and glamor. It also sounds old, the music of a past time, and perhaps a little corny. But in the right hands (not those of The Stray Cats, even if Dave Edmunds did produce them!) it’s fantastic! NRBQ did it really well, as has T Bone Burnett and other superior Americana-type artists. The Yardbirds (when Jeff Beck---a huge fan of Rockabilly, as is Dave Edmunds pal Robert Plant---was in the band) did a great version of Tiny Bradshaws "Train Kept a Rollin", but the Rockabilly original by The Johnny Burnette Trio is even better. Incendiary!