How important is it for you to attain a holographic image?

I obtain holographic 3-d positioning only after I clean up all my electrical grid and also my audio grid...Before that with the same gear all sound was more between the speakers than atmospherically suspended around them with clear pin point accuracy of position... I am in near listening... I obtain also tonal accuracy only after this cleaning, then cleanliness, all things being equals about choice of gear, is the foremost fundamental necessity and the most underestimated one of all factors in audio...Money dont buy perfection, experiments and thinking helps very much more...

No electrical environment is the same, and my speakers are good (Mission Cyrus 781) but one is battered and more feeble with is tweeter(50 bucks paid) I dont doubt that the focal are probably better... I make already my own room treatment with cheap materials with success but I am in nearfield listening...The more difficult to gain is not imaging but holographic cellular atmospheric soundstage around the speakers not only between and naturalness of musical timbre of instrument...Never mind what you already own and your very good sound, it is better to clean the electrical grid and the audio grid this is the road for your gear to gain  their ultimate potential ...

Whoever feel holographic image is critical in listening enjoyment, would you please tell us where should we sit when we attend a live performance in a concert hall?

Thank you.

I dont think that listening a real concert and listening a files or a cd are the same thing at all... Even if a correlation in terms of sound space is possible, the 2 experiences are too much different to reduce one to the other....

And where to sit in a concert ? There are no rooms,or no live concert halls  that are identical et possess the sames acoustics, and we are all different individuals with different goals, then I had no ideas how to answer that...For me listening my audio system and a real concert had no relation at all,other than an acoustic methaphorical one,because there is many interpreters in the audible chain of events between the musician in the room or in the studio, the sound engineer  the mixer, etc and the listener...All these people had a different experiences...