I love Pletnev's playing of The Seasons , that is my reference but have any of you ever listened to his Schumann. I love him playing Etudes Symphonique and his Fantasy in C major, I find his tone much more pleasing than most of the others with the exception of Arrau, in the last movement of the Fantasy his tone is orgiastic. Sorry for that but it is the only word I can come up with that tells the story of how I hear it.
Now come on guys I have been reading about all these female pianists and no-one has mentioned the blindingly obvious, Martha Argerich. She certainly deserves a mention as she is now in her late seventies and she can still set the keyboard on fire, what about Gaspard, Scarlatti the D Minor Sonata .Now I will give you all what you are saying of Buniatishvili's playing which is spellbinding at times . Her Pictures is breathtaking in some of the movements and likewise her Liszt , have yet to hear another woman play as tenderly and also as fiery as she can. She reminds me of the young Argerich , perhaps she will take over her mantle when she settles down an bit.
Now come on guys I have been reading about all these female pianists and no-one has mentioned the blindingly obvious, Martha Argerich. She certainly deserves a mention as she is now in her late seventies and she can still set the keyboard on fire, what about Gaspard, Scarlatti the D Minor Sonata .Now I will give you all what you are saying of Buniatishvili's playing which is spellbinding at times . Her Pictures is breathtaking in some of the movements and likewise her Liszt , have yet to hear another woman play as tenderly and also as fiery as she can. She reminds me of the young Argerich , perhaps she will take over her mantle when she settles down an bit.