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Classical Music for Aficionados

I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
newbee
4,756 posts
 
Ah yes, much to enjoy. Another excellent set and one that offers some serious alternatives to some of the more popular Rachmaninoff recordings. I consider these performances as more introverted which are to me often more attractive. FWIW I only have Shelley's performances to compare to most of these .

 However, in the Preludes especially, I really do prefer something more high powered, such as Ashkenazy's, Shelley's, and for something really over the top, Hayroudinoff  (You've really got to hear that one!)


jcazador
417 posts
 
Nina Dorliac on Richter:
When he sat on the jury at the first International Tchaikovsky Competition, he immediately singled out Van Cliburn as having no rival among the other contestants. He gave Cliburn the highest mark and zeros for the others. Then he changed his mind. It wasn't very nice to give them zeros. 
lots more here:
http://sviatoslavrichter.blogspot.com/2011/04/nina-dorliac-i-met-richter-at.html
jim204
881 posts
 
JC   That was a very interesting article about Richter you posted , he was a very cultured man. As for his pianism although he was a stupendous pianist the recordings that were released were really poor and didn't really do justice to him. I really admired him but could find his playing rather cold. Regarding his recordings I am reminded of the quote that was said about Busoni when he was doing some early acoustic recordings . When he had finished recording they played back one of the masters to let everyone hear this scratchy hissy horrible sound when one soul said "that sounds nothing like him" and another "said no wonder how can you put the Atlantic ocean in a bottle and stopper it". That's exactly how I thought of Richter if he had been in the west just think what we could have had. 
jcazador
417 posts
 
yes indeed jim
What a saga
From his teenage job accompanying the Odessa opera rehearsals
to the death of his father (father was german, was warned to leave, but his mother was too attached to her lover, so dad stayed and was arrested, executed - while Sv. was in Moscow studying with Neuhaus)
to his long hibernation in USSR (allowed out once to play at UN)
and his final world wide recognition when he was finally allowed out
in 1960 at age 45.

I hear rhythms within rhythms where other pianists are struggling to keep up.

Do you have the Richter in Hungary (1954-93) set of 14 cds?
Have you seen Bruno Monsaingeon's 1998 documentary, “Richter the Enigma"?
https://www.youtube.com/results?search_query=richter+the+enigma

Compilation of his recordings here:
http://www.doremi.com/sr.html
apdxyk
20 posts
 
jim204, Richter lived in the West for over 30 years, he just hated recording process, he was an accomplished theatre man. I was fortunate to be at his recitals a few times and it was out of this world. I keep coming back listening to him and discovering more and more, especially in his late, ’simple’ and ’cold’ performances. His counterpoint playing is like a Gothic cathedral: there are so many storeys and layers hidden underneath his simplicity. He played a piano as if it were an organ - a true klavir player. You can also give Andrey Gavrilov and Ekaterina Derzhavina a listen. Gavrilov was a kid, when Richter proclaimed to be his student, not the other way around. Ms Derzhavina is a true musicians’ musician, a musician from a heavenly ensemble - she is up there with Richter, but went her own way.
Here is Odessa Opera:
https://ariananadia.livejournal.com/835328.html
(you don’t need to understand the nonsense she wrote, pictures are great)A grandfather of mine was singing there when Richter was active in Odessa Opera.

More to discover