Mijo, No.
I was going to leave it at that, but let me take your statements in reverse order:
"Tracking angle error has very little to do with it as long as the arm is set up correctly. It is all about friction and offset angle and offset angle is fixed." It's actually about the friction force, we both agree, and about the degree to which the cantilever is not tangent to the groove. A major reason for lack of tangency, for all tonearms that are mounted such that the stylus overhangs the spindle, is headshell offset angle. Again, we agree. But in addition to the headshell offset angle, there is a variable lack of tangency to the groove, created by the tonearm geometry. At the two null points of any typical alignment algorithm, where the cantilever is tangent to the groove (tracking angle error = 0), there is still a skating force due to headshell offset angle. But at all other points on the LP surface, headshell offset angle is not the only cause of lack of tangency. That additional ever changing angle is one reason why the skating force is changing all the time.
"The more tortuous the higher the velocity. The force required to move the stylus back and forth is seen by the system as friction. So, the higher the groove velocity the higher the friction." That's a very appealing concept, and I was sort of thinking that way too, but "velocity" does not appear in the equation for friction. So you and I cannot have it that way. The way I see it now, the tortuosity of the groove results in those mini-acceleration events; the stylus MUST obey the speed of the turntable. No matter how many twists and turns in the groove. Thus, the stylus is experiencing mini-accelerations (acceleration = change in velocity) as it is dragged around the LP at a constant net speed through those zigs and zags of the groove. Acceleration does generate a Force. (Remember, F = ma.) Those small forces being generated, acting through lack of tangency to the groove wall, must be resisted by the cantilever, the cartridge body, and ultimately the stiff tonearm to which it's attached. That contributes to the skating force as well.
I was going to leave it at that, but let me take your statements in reverse order:
"Tracking angle error has very little to do with it as long as the arm is set up correctly. It is all about friction and offset angle and offset angle is fixed." It's actually about the friction force, we both agree, and about the degree to which the cantilever is not tangent to the groove. A major reason for lack of tangency, for all tonearms that are mounted such that the stylus overhangs the spindle, is headshell offset angle. Again, we agree. But in addition to the headshell offset angle, there is a variable lack of tangency to the groove, created by the tonearm geometry. At the two null points of any typical alignment algorithm, where the cantilever is tangent to the groove (tracking angle error = 0), there is still a skating force due to headshell offset angle. But at all other points on the LP surface, headshell offset angle is not the only cause of lack of tangency. That additional ever changing angle is one reason why the skating force is changing all the time.
"The more tortuous the higher the velocity. The force required to move the stylus back and forth is seen by the system as friction. So, the higher the groove velocity the higher the friction." That's a very appealing concept, and I was sort of thinking that way too, but "velocity" does not appear in the equation for friction. So you and I cannot have it that way. The way I see it now, the tortuosity of the groove results in those mini-acceleration events; the stylus MUST obey the speed of the turntable. No matter how many twists and turns in the groove. Thus, the stylus is experiencing mini-accelerations (acceleration = change in velocity) as it is dragged around the LP at a constant net speed through those zigs and zags of the groove. Acceleration does generate a Force. (Remember, F = ma.) Those small forces being generated, acting through lack of tangency to the groove wall, must be resisted by the cantilever, the cartridge body, and ultimately the stiff tonearm to which it's attached. That contributes to the skating force as well.