I always understood the latest discussion was about dynamics and not loudness. Being a bass player in Rock Bands as well as performing as a studio musician for a limited time I know dynamics and slam. I think that the Tim Smith articles on dynamics with the Tektons mirror my own experiences with the Tektons and low power tube amps including SET; they do dynamics startling well. If you want concert-level volume and dynamics in a normal house, or room have at it, pay the price of admission and be done with it.
What we are discussing here is a family man with about 11x10 listening room, and like most people with a family, limited resources to allocate to the high-end of audio. I believe Rebbi has done a stellar job separating the chaff from the wheat demonstrating remarkable ability to put together an Everyman high-end system. We truly need more of that example.
Suggestion for speakers ought to be of high quality all around, that best fit
in with creating a properly balanced, synergistic system that also fits a budget.
My audio bias falls in the camp of tone, tone, more tone, timbre, natural musical flow, richness, liquid sounds that get a piano right, as well as all the other instruments, just like real accoustic life, a good stage, coherence, natural decay, PRAT, male and female voice front and center with height and dimentionality, as well as all the other goodies. If I miss a smidgen of slam, ok, it costs too much, but the Tektons amongst others come close, very close. So given the goody bag cost which do you prefer to lose?
What we are discussing here is a family man with about 11x10 listening room, and like most people with a family, limited resources to allocate to the high-end of audio. I believe Rebbi has done a stellar job separating the chaff from the wheat demonstrating remarkable ability to put together an Everyman high-end system. We truly need more of that example.
Suggestion for speakers ought to be of high quality all around, that best fit
in with creating a properly balanced, synergistic system that also fits a budget.
My audio bias falls in the camp of tone, tone, more tone, timbre, natural musical flow, richness, liquid sounds that get a piano right, as well as all the other instruments, just like real accoustic life, a good stage, coherence, natural decay, PRAT, male and female voice front and center with height and dimentionality, as well as all the other goodies. If I miss a smidgen of slam, ok, it costs too much, but the Tektons amongst others come close, very close. So given the goody bag cost which do you prefer to lose?