Is it possible to have vinyl nearly noise free?


I’ve been cleaning my vinyl starting with spin clean then using Orbitrac cleaning then do a vacuum with record dr. And finally putting on gruv glide..and I still hear some ticks and pops. Is it impossible to get it nearly completely quiet? Would like to ask all the analog audiophiles out there. Please share what is the best method and sequence to clean vinyl..thx everyone.
tubelvr1
Dear @tubelvr1 : " Noise " is an inherent part of the LP alternative and we have to learn to live with because try to fighth against it is a true losted battle way before just start it. After $$$$$ against it we still has it.

I clean my LP's and cartridge stylus in an old fashion way even that I own a VPI cleaning machine.

I just learned about and my " brain " was or is educated by it self to let the LP " noise " out of the listening sessions to the level that today I don't care about but this does not means I don't make a cleaning routine with the LP surface and cartridge stylus.

Why to spend $$$ and time testing this or that cleaning machines/systems if at the end just can't disappears for ever.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
OK, let me put it a different way. Digital has the potential for much greater Signal to Noise Ratio and Dynamic Range than analog. I really don’t foresee analog system getting any better than 70 dB. But digital systems can achieve 90+ dB (potentially). Obviously, the intentional overly aggressive dynamic range compression for digital and analog doesn’t help in terms of dynamic range. Of course, there are many sources of noise and distortion in any audio system, so a lot depends on the desire and ability of the person to achieve his system’s true potential.
Mint good pressing records are very quiet in my system, you can only hear master tape noise. I clean the stylus with Lyra before each play and never look at it under magnification. Okki Nokki machine with Audio Intelligent fluids cleans quite good, soak the records before vacuuming off. This takes some work but very simple and easy really.
Unfortunately, best pressings that I have are mostly far from Mint but I listen to them as opposed to inferior pressings in better condition.
As I've upgraded my analog system I've gotten a lot closer to "nearly completely quiet".  Most new and well cared for used records are pretty quiet on my system.  There's noise between tracks, which of course is there during the music as well, but there usually isn't a lot to distract me from the music.

I became complacent about cleaning records because most of them I either buy new or from a record store that cleans their records with a VPI.  I always cleaned records that I bought anywhere else but not the ones that were new or already cleaned.

I was listening with my girlfriend one night and the record I put on was really noisy.  She suggested that I clean it.  I told her it wouldn't do anything because I bought it from the record store that cleans the records, but I'd do it for giggles.  I was quite surprised when it sounded dramatically better.  I don't know if they missed cleaning that one or if the fluid I use worked better or what, but I've started cleaning all my records again with my VPI. 

I use a soft dry brush on the stylus (usually for every side) and then every few sides I use some fluid.   
I really don’t foresee analog system getting any better than 70 dB. But digital systems can achieve 90+ dB (potentially).
16 bit is -96 dB, but analog can and does get to -85 dB down. The reason this is so is not because all LPs are that quiet (people often mistake personal anecdote for all the media).

When the LP is mastered, the resulting lacquer can be so quiet that the phono preamp is the noise floor, regardless of the phono cartridge or preamp. That's pretty quiet and -85dB is being conservative. Most of the surface noise occurs in the plating/pressing process. QRP (which is the pressing plant set up by Acoustic Sounds in Salinas, Kansas) has modified pressing machines that are mechanically damped to eliminate any vibration as the vinyl cools. As a result, they can make pressings that are so quiet that their noise floor is also lower than the playback electronics.


Most digital releases are compressed in the digital domain using DSP. This is because there is an expectation it will be played in a car where there is a higher background noise. As a result, LP often has greater dynamic range.