The Classic series of old and the recent models are totally different in my opinion. So much so that instead of buying any of the recent versions of the 1/2 I waited patiently to buy a pair of the older 1/2e that I had owned several years previously as well. I find the Sterling LS3/6 to be more in line with what the older Classic series sounded like versus anything Spendor is making today. Spencer Hughes came up with some excellent designs and took advantage of main drivers that would cover quite a bit of the frequency range before crossing over and "lossy" cabinets to create that special sound.
Spendor D7, D9 but no love Classic 100?
I see plenty of recommendations floating around recent threads for the D7 and D9, but nary a mention of the Classic 100. I wonder why. Are no dealers stocking it for demo?
Last summer I was able to audition extensively the Classic 100 vs. the D7 in same system, same room, same afternoon, same music. The 100 came out on top by some margin. Just a much more natural sound. Never heard the D9 but I imagine it's cut from the same cloth, but goes deeper. The Classic 100 was lively, exciting, dynamic, but also harmonically full and rich and never threadbare. In contrast, there was something in particular about the D7 treble range that made me uncomfortable. As always, YMMV, and indeed, it probably already has.
Last summer I was able to audition extensively the Classic 100 vs. the D7 in same system, same room, same afternoon, same music. The 100 came out on top by some margin. Just a much more natural sound. Never heard the D9 but I imagine it's cut from the same cloth, but goes deeper. The Classic 100 was lively, exciting, dynamic, but also harmonically full and rich and never threadbare. In contrast, there was something in particular about the D7 treble range that made me uncomfortable. As always, YMMV, and indeed, it probably already has.
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- 23 posts total
- 23 posts total