Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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Jack Sheldon!!!  Now, there’s a trumpet player who has remained under the radar here.  Actually, I think I posted one clip he played on early in the history of this thread.  Swinging West Coast player who many of my generation heard in the house band for the Merv Griffin TV show of yesteryear; could sing also.

Glad to see a retraction of Wynton as “punk” (Btw, good to see you here Isochronism).  While I have never been a big fan of Wynton as a particularly interesting jazz player I don’t think that his importance as a figure in the overall scheme of the Jazz scene can be overstated.  He (and Brandford) came along when, correctly or not, the general feeling among many Jazz lovers was that “Jazz is dead”.  The brothers and the wave of “young lions” that they ushered in served to bring new life to the music and, most importantly in Wynton’s case, increased public awareness of the music and it’s history.  Wynton’s public persona, huge ego and all, has probably done more to bring new listeners to Jazz than anyone else in the last 30+ years.  While I agree that AS IMPROVISERS Branford is probably the most talented in the family, Wynton’s other talents as band leader, educator and promoter of the music (particularly its roots) do far more for the music than any lasting contribution that Brandford will  make as a saxophone stylist.  Don’t get me wrong, I like Brandford’s playing a lot, but will his legacy as a mostly derivative stylist be as long lasting and influential as Wynton’s legacy in other areas will be?  No way!  I also think that for the purposes of discussions like this it’s important to make a distinction between “jazz player” and “instrumentalist” (trumpet player).  Branford is more interesting (“better”) jazz player.  As an instrumentalist, Wynton’s trumpet playing is close to as good as it gets.  He is a pretty amazing trumpet virtuoso. 

Btw, Schubert, thanks for the Branford “Dance OTET” clip.  I had not heard that and I liked it a lot.  Great stuff!
Can’t argue with you frogman , I don’t put much thought into my captions .Basically I try to get a discussion going to help my limited knowledge of jazz . So thanks !