I heard the original TAD 1 one several occasions and really liked certain aspects of its sound. It is VERY fast and dynamic and unmuddled in a way that VERY few conventional speakers can hope to match (similar in that respect to good horn systems). Most conventional systems sound lifeless by comparison.
The downside was that the speaker sounded quite hard and metallic. I did not listen long enough to determine if that property would, in the long run, lead to a major annoyance. At one show, I heard them with Dr. Edgar (Edgarhorns) in attendance. We chatted briefly and we both agreed on the pluses and minuses of the speaker. He said that he has done quite a bit of experimentation with Beryllium drivers from TAD because he likes the speed and dynamic qualities of the drivers, but, he could never tame the metallic sound.
Overall, a VERY promising design. In some respects, the sound reminds me of some of the better designs using the Manger driver (like the Overkill Audio designs).
I am surprised that the current version is considered "dark," by some listeners, unless the designer went back to the drawing board to tame its more aggressive, forward presentation. If that is the case, it would be inevitable that some of the liveliness would also be lost; such is the case with all speaker designs, tradeoffs are always involved.
The downside was that the speaker sounded quite hard and metallic. I did not listen long enough to determine if that property would, in the long run, lead to a major annoyance. At one show, I heard them with Dr. Edgar (Edgarhorns) in attendance. We chatted briefly and we both agreed on the pluses and minuses of the speaker. He said that he has done quite a bit of experimentation with Beryllium drivers from TAD because he likes the speed and dynamic qualities of the drivers, but, he could never tame the metallic sound.
Overall, a VERY promising design. In some respects, the sound reminds me of some of the better designs using the Manger driver (like the Overkill Audio designs).
I am surprised that the current version is considered "dark," by some listeners, unless the designer went back to the drawing board to tame its more aggressive, forward presentation. If that is the case, it would be inevitable that some of the liveliness would also be lost; such is the case with all speaker designs, tradeoffs are always involved.