Home Demo Faceoff: Nordost / Audioquest / Transparent


I have just received home demos of 4 popular sets of high-end cables: Nordost Valhalla 2 and Frey / Audioquest Firebird Zero and Bass / Transparent Reference.  I'll be determining what to pair with my existing gear:
-B&W 803 D2-Gryphon Diablo 300, with internal DAC module and Phono Board-Mac Mini (soon to be replaced by an Innuos Zenith Mk III)-Audioquest Diamond USB cable-Van Den Hul D-352 speaker cables (while great for the price, these are why I am upgrading)

First up: Audioquest Firebird Zero Single Wire with Jupiter Jumpers and Audioquest Hurricane High Current
Definitely far more high end sizzle and an improvement over my cheap "reference" Van Den Hul cables.  Far, far more high frequencies come through but not at all harsh or shrill.  Everything at the top end has opened way up.  Sound is immersive with instruments fully formed in 3 dimensions.  Bass is incredible - lots of low end growl and detail as well.  Would describe the sound as "lush".  While everything sounds good as you can tell, overall nothing wowed me.  It was simply a few degrees better than my current cheap cables.  There was one negative aspect:  vocals did not sound quite as solid or natural as with my cheap cables.  Vocals were not "focused".  Also, there is an overall smidgen of a sense of the sound being mechanical - not organic.  It is more of a sense than something I can hear and pinpoint, but it is not 100% natural sounding.  Would still take these over my current cables, but they are not perfect.  Thought it may have been rooted in my speakers or Mac Mini, but then I heard the Nordost cables and realized my gear was not causing the slight off-ness I was detecting.  But before getting to the Nordosts, I tested the Audioquest Firebird Zero + Firebird Bass in biwire configuration.  Guess what?  More natural sounding, slightly, with overall more confident and solid tones, including vocals but apparent across all frequencies.  Bass is tighter and punchier.  Overall no change in transparency or detail, or dynamics.  While bass was more solid and punchier, as were all tones, there was not actually any more bass than the single wire version.  Overall control seemed tighter.  Is it worth the cost to biwire the Firebird?  Hell no.  The difference is incredibly subtle, and I would not suggest that people pay the money (although things could be different on your gear vs mine).  But the difference is one that I notice and it mostly solves the one weakness I sensed in the single-wire Firebird.  My wife also described that she noticed all the same differences I heard between the single-wire and bi-wire Firebirds, and she didn't know which configuration she was hearing (it was "blind").

Next up:  Nordost Valhalla 2 with Valhalla 2 Jumpers and power cord
Holy crap.  Now these wowed me.  First and foremost - I get very focused (and stressed) with testing gear and questioning and testing the validity of my own thoughts on what I hear.  Because of this I never get out of "testing mode" when I am testing.  These cables made me forget I was testing.  I just got into the music and wanted to try more and more songs that were not even in my test queue.  How do they sound?  Shockingly full of high frequency detail and treble openess, with a warm full, inviting mid and low end.  AND:  shockingly fast sound.  There is just so much high end detail coming through - and it is cool and crisp, not sharp and harsh.  The overall sound is just so natural - this combined with the fastness of the pace made it seem like the beat was faster than I recalled for each track.  Listening to these all of a sudden made me realize how artificial and awkward my system sounds with the Audioquest gear.  With the Nordost's, it is just so free flowing and natural - analogue-like.  Vocals are way better centered, and it gives a better impression that the vocalist is actually in front of you.  Sibilants in vocals are so much more pronounced, as are all upper frequencies, however there is absolutely nothing harsh about them and they are in fact very satisfying to listen to.  They are balanced by a warm and inviting midrange, with good bass.  It took some time to get used to all that upper end transparency, and actually "trust" that the sound would not become grating or harsh.  But it NEVER did, and I quickly learned to appreciate the high end detail rather than cringe and be afraid that suddenly things might get shrill sounding, which again they never did!  I just can't get over how different these sound.  Because of the fastness and high end detail, vocals have so much more life and energy.  Completely energized, as if the vocalists are actually more into the performance!  The one slight quibble is that the Nordosts don't have as much bass as the Audioquests.  Next I thought of pairing the Audioquest Hurricane power cord with the Nordost Valhalla 2 speaker wire to see if I could claw some of that Audioquest bass back while keeping the benefits of the Valhalla 2's.  The bass came back!  It was absolutely stronger and more present with the Hurricane power cord.  However.  A slight bit of the unnaturalness I mentioned also came back when using the Hurricane.  While the bass was great, overall I much prefer the natural sound when using the Nordost Valhalla 2 power cable. It is just overall easier to listen to and more satisfying.  So far the Nordost Valhalla 2's are leading the race by a longshot.  Not to mention, the Nordost's are far easier to install and are way more forgiving than the super stiff and unweildy Audioquest Firebird cables.

I have not yet tested the Nordost Frey's or the Transparent Reference cables.  I will shortly and will post my findings in the next few days.  But now I'd be shocked if the Valhalla 2's can be topped.  One final thing I would say:  the base gear in my system is quite rich and full sounding (Diablo 300 and D2 version of B&W 803's), so it is possible the Nordost's are the perfect balance for my system.  I could also see it being possible for the Nordost cables to become too much of a good thing in a different system to mine, in particular a system that already emphasizes high frequencies.  But on my system these cables sound fabulous.













nyev
I've been waiting until my Clarus Crimson cables and power cord have completed 200 hours of burn-in to share my thoughts.  I'm at 185 hours currently....  The last 15 hours are proving difficult as I have guests staying (including my infant nephew) over the next week.  Some say volume doesn't matter for burn in, just provided there is current flow, but in my opinion I don't think anyone truly understands what is occurring during burn-in or whether volume matters or not.  So I am waiting until I can play at least at a moderate volume - it is going slowly now!  
While I've read that these cables sound terrible before 200 hours, to the extent that some reviewers thought something was wrong with their stereo, that was not my experience at all.  While they sounded great at 0 hours, I did notice a very noticeable "papery" quality to the upper mid/lower treble.  It made high-hats sound very, very different - very meaty sounding.  Didn't sound bad, but just not natural.  After the first 24 hours this effect was entirely gone.
At 185 hours, these cables sound phenomenal, especially for the price I paid for them.  The difficulty is, too much time has passed and I can only base my judgement on what I currently hear, and comparing with how I recall the other cables I tested earlier in this thread sounded.
I'll start with what I currently hear without comparisons.  First thing that stands out is how fluid the entire frequency spectrum is - everything is smoothly integrated, yet tones are still distinct and separate.  The second thing that stands out is how free flowing and effortless these cables sound.  The third is how great the soundstaging is - instruments are big and well-formed across what seems to me to be a wider than normal soundstage.  This was noticeable right out of the box, but after extended burn-in, an amazing depth of soundstage emerged too.  These cables are also very easy to listen to - no harshness, not analytical, and this is across all sorts of music that has a tendency for harshness on some equipment.  Sibilants produce a pleasing sssss versus a harsh shhhhhh.  I've read that these cables are made with multiple types of copper that are each optimized for different frequencies - maybe this accounts for the overall smoothness and free-flowing effect.
Now, I'll attempt to compare against what I remember in my favorite pairing from my last barrage of tests, the Transparent Reference power cord with the Nordost Valhalla 2 speaker cables.  Please take some of this with a grain of salt, as I mentioned the prior tests were some time ago now.
First the speaker cables:
The Clarus speaker cables are smoother, more integrated, more natural.  The Clarus' soundstage was also very, very impressive and I think topped the Valhalla 2's, in both horizontal positioning and also depth. The Valhalla 2's were more forward with the midrange (while still being warm at the same time - which I really liked), and were faster than anything I'd heard.  The Valhalla 2's had a hair more detail, this I am absolutely sure of based on listening to a specific passage in a song I use to test detail retrieval.
In the end both speaker cables were very pleasing to listen to, and both had areas they performed better in than the other.  I could be happy living with either.  While I really do enjoy the forward-yet-warm mids of the Valhalla 2's, I do wonder if eventually I might think this is too much of a good thing.  But I really, really enjoyed that effect as it made music very satisfying to listen to....  But the Valhalla 2's cost almost $15K more than what I paid for the Clarus Crimson's (which I managed to get at a steal of a price buying direct from a distributor), so, that's a factor for sure.  It is very possible that if I heard them side by side I would lean towards the Valhalla 2's more.  I guess I will never know, because right now I am very happy with the Clarus Crimson's.  The integration and perfect balance of tones is just magical at times.

On to the power cords:

This is where things start to get different.  I think the Transparent Reference power cord offered more solid, well defined, and detailed bass than the Clarus Crimson power cord.  It is also possible that the slight missing detail I noted above is actually attributed to switching from the Transparent Reference power cord to the Clarus Crimson power cord, and is not related to the speaker cables.  I'm totally happy with the current full Clarus Crimson combination, but when I get around to it I think I may want to get a demo Transparent Reference XL power cord to see how the bass and detail change - I have a pretty strong suspicion this combo will be a good pairing based on my prior results.
In the meantime, I'm very happy with the sound, with a bit more burn in to go!  My Gryphon Diablo 300 sounds fabulous with these cables.  Highly recommended, and great value for money (as far as cables go I suppose), but if you consider the Clarus Crimsons I'd suggest experimenting with the power cable as I feel like there are gains to be had there going to a different cord.  I read a pro review that seemed to come to the same conclusion - they raved about the Crimson speaker cables, but had a bit of an average response to the power cord versus others.  It's not bad, but with others you can have a bit more defined and solid bass and possibly more detail across the spectrum.

One final point:  I realized I didn't mention in this post that I have the bi-wire editions of the Clarus Crimson speaker cables.  Not sure how much of a difference this makes, but because I was able to purchase these cables at over 60% below list price, I thought why not.

nyev,

I don't believe in absolutes and submit cables are system dependent. That being said, as you know I have Clarus Crimson speakers cables, but the single edition, not bi-wired. Although we have different systems, your findings mirror mine. I have compared Crimsons to many speaker cables in my system and overall  prefer Crimson. I did find Audioquest Firebird @  $14K list for an 8' pair to be ever so slightly cleaner/detailed, but preferred the Crimson regarding every other sonic parameter. I think preference plays a significant factor in cable selection. If one has a preference where the sound is forward, they will not like Clarus cables.

Funny thing is after hearing Audioquest Hurricane power cords in my system, I never tried Clarus power cords.
To me it seems as though there are too many variables to make any conclusion.....except what you like or not.   I've heard the same cable sound very different in different systems.  ..many times the lesser priced cable can win the title. That's what makes this hobby so interesting/infuriating.
stringreen,
"I've heard the same cable sound very different in different systems." You're right, that's why I always recommend listening to cables in your own system.