Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano

The entire world neglects " early music ", to its own disadvantage .

I am very fortunate that the Twin Cities has a dozen first-class early music ensembles and, literally, a hundred choirs of which a dozen are world class .

IMO , a classical lover who knows not composers like Josquin des Prez, Du Fay, Gesualdo, Palestrina , Lasso, Gibbons, Byrd, Monteverdi and the mother of both lyricism and flow of musical line , Hildegard of Bingen,, is like a man who prefers McDonalds over a 3 star Michelin restaurant .


Well , perhaps I exaggerate a bit , but you get the gist of it .

And I beg the pardon of the Dutch and Belgians , Amsterdam, Brugge and Ghent continue to fly the flag .

I hear you jcazador . If you listened to my post that young Frenchwomen

playing German music on a Dutch organ sure didn’t miss anything .I had some of that Westminster stuff and was quite fond of it as well . I am a religious person and that aspect is more important to me than the technical side , not that it isn’t important .As I’m not a musician I don’t understand much of it in any event .

Keep up the good word and spread the news !



I have a whole shelf-full of consort of viols CDs, mainly English (the composers I mean).  I'm particularly fond of an album entitled "Crye" done by an ensemble called Concordia.  Worth seeking out if this is your thing.
On tuning, read this:

" Research in my teens into historic organ tuning, and thence a decade of experiment and research instigated by contemplating Chopin's 2nd Sonata in Bb minor brought a realisation that it's the modern tuning that has robbed us of the differences between the keys, and that it wasn't my ears at all. It seemed as though Chopin was deliberately intending the effect of the key of Bb minor to express the cold wind whistling over the graves and I knew from historic organs that that is what the tuning would do. The colour has been robbed from us and the true meaning of "Chromatic" is so lost to us now that Colour isn't mentioned in the relevant Wikipedia article.

The consequence of this is that our classical music has been reduced in the number of dimensions in which it communicates and that this has led to increasingly mere mechanical performances that don't engage so well emotionally, leading to a degradation in musical appreciation and of its value as emotional communication and literature. "

a lot more here:
https://www.pianostreet.com/smf/index.php?topic=65531.0