beryllium vs diamond


Hi guys, today's technology has brought us a new type of tweeter made of diamond or beryllium. Do you know what are the strengths and weaknesses of diamond vs beryllium? Which one is the more expensive? Has today's dome tweeter better resolving power than the venerable electrostat? Jim Thiel once said that dynamic designs will be getting better all the time and will probably surpass electrostatic designs.
dazzdax
Will they ever be as good as an electrostatic speaker?
And ESL's will never be as good as Plasma tweeters. I have a pair of Plasma MP-02's crossed over from my ESL panels.
You've never heard/seen highs "dance" in front of like fireflies you till you've experienced Plasma tweeters.
It's all about the "diaphragm mass" when it comes to producing the upper mids/highs, and a Plasma flame has no mass.
https://www.ebay.com/itm/Magnat-Plasma-MP-02-ion-tweeter-massless-air-plasma-speaker-Plasmahochtoner/272894087984?hash=item3f89c15330:g:V5sAAOSwCJxZ6PXy

Cheers George

They are interesting to say the least. I was in on the ground floor with Hill Plasmatronics helium tanks and all. I am not sure what those are but they are not plasma speakers. To create a plasma you need some serious heat which requires serious power and an inert gas. Those things would melt. Aside from that they are not line sources so they will not radiate in a way to match a line source. Maybe they will work well with a point source but you would have to get them close to the midrange driver which would make them impractical to use with most point source speakers. 
I am not sure what those are but they are not plasma speakers. To create a plasma you need some serious heat which requires serious power and an inert gas. Those things would melt.

You need to do some homework, they are Plasma, and one of the best.
There are pages on this German Plasma tweeter if you take the time to look.
https://img.aussieaudiomart.com/uploads/large/823697-magnat-mp02-plasma-tweeters.jpg
http://www.plasmatweeter.de/magnat.htm
Oh, and georgehifi it is the mass of air moved per unit weight. Since ESLs have such a large surface area the mass of air moved is quite high even when compared to ribbon tweeters and the mylar diaphragm weights much less than a comparably sized sheet of aluminum. The issue with ESLs has always been beaming. Unless you sit right in front of the diaphragm you hear no high end at all. ML deals with this by curving the diaphragm which greatly limits the low frequency capability of the panel. Sanders just makes a wider panel and says to sit right in line with the speakers and you shouldn't be listening any where else anyway. I am not kidding. Check out his web site. Acoustat made narrower panels and angled them. My 2+2s are two panels wide and only disperse 20 degrees at best so in reality you have to sit in line with them. They did make 3+3s and 4+4s which were really huge. Soundlabs uses a facet system that covers 45 degrees so you will have even treble over the size of a 3 person sofa. This is probably the best solution but it still results in a very large speaker. There have been attempts to electrically decrease the size or width of the tweeter area like Quad and Acoustat eventually played with but this causes other problems which I think interfere with the magical quality ESLs can have. No speaker can do the 1 way thing as well as a large ESL. Cross overs are a pain.
Oh, and georgehifi it is the mass of air moved per unit weight.
I'm not talking about the mass of air moved, which is also needed to give bass air pressure into a room which ESL's don't do well and why a dynamic bass driver is better down low.
I'm talking about the mass of "the diaphragm" being moved back and forward to "accurately follow" high frequencies at 5 to 20 thousand!!! times per second. Like I said it's all about "diaphragm mass" at these frequencies, and that's why Plasma's rule, because the flame has no mass.