Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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Wagner, Barenboim, Said, Israel
quote from Said article

In any event, Wagner’s works in Israel have by common consent been left unperformed, until 7 July, 2001. Barenboim is head of the Chicago Symphony Orchestra, as well as the Berlin State Opera, whose orchestra he was leading on tour in Israel for the three consecutive concerts presented in Jerusalem. He had originally scheduled a performance of Act One of Wagner’s opera Die Walkure for the 7 July concert, but had been asked to change it by the director of the Israel Festival, which had invited the German orchestra and Barenboim in the first place. Barenboim substituted a programme of Schumann and Stravinsky, and then, after playing those, turned to the audience and proposed a short extract from Wagner’s Tristan and Isolde as an encore. He opened the floor to a discussion, which ensued with people for and against. In the end, Barenboim said he would play the piece but suggested that those who were offended could leave, which some in fact did. By and large though, the Wagner was well received by a rapturous audience of about 2800 Israelis and, I am sure, extremely well performed.

Still, the attacks on Barenboim have not stopped. It was reported in the press on 25 July that the Knesset committee on culture and education “urged Israel’s cultural bodies to boycott the conductor… for performing music by Hitler’s favourite composer at Israel’s premier cultural event until he apologises.” The attacks on Barenboim by the minister of culture and other luminaries have been venomous, even though despite his birth and early childhood in Argentina, he himself has always thought of himself as an Israeli. He grew up there, he went to Hebrew schools, he carries an Israeli passport along with his Argentinian one. Besides, he has always been thought of as a major cultural asset to Israel, having been a central figure in the country’s musical life for years and years, despite the fact that, since he was in his teens, he has lived in Europe and the United States most of the time, not in Israel.

read whole article here
https://www.mediamonitors.net/barenboim-and-the-wagner-taboo/
More Edward Said
this article contains the description of Saint Saens playing Siegfried at Wagner's home

Cosmic Ambition Edward Said October 20, 2011 Edward Said
https://outline.com/fxpNNr

Fantastic writing but from wrong guy .He has no idea, none, how deeply Bach was committed to God .
His Lutheran religion does not want you to be pious or submissive but to be humble .

Humility is having an accurate assessment of both the best of you and the worst of you, which Bach did . He knew what he was worth and asked for it.To an Orthodox Lutheran , which he was, that is standing in front of God
and accepting his Grace as his child , not his slave .

There were pious elements in the Leipzig city government that wanted him to write their way, he never did but came out against them clearly in the
cantata’s and passions . Back would no more revolt against God than, well you name it .
On every piece he wrote were the words "Ruhm gottgegeben" ."The Glory is to God"You can not understand Bach without understanding his religion .Said , clearly does not , indeed from his writing I doubt if he has any himself.

The best book about Bach, by far, I have ever read is John Eliot Gardiner’s "Music In The Castle of Heaven ". Gardiner is one of the greatest musicians alive and a fine writer of this great book. Not an easy read but an uplifting one.
Gardiner ends the book ,pg 558 so:.
" Beethoven tells us what a terrible struggle it is to transcend human frailties.......Mozart shows us the kind of music we might hope to hear in heaven. But it is Bach, making music in the Castle of Heaven who gives us the the voice of God-in human form.He is the one who blazes a trail, showing us how to overcome our imperfections through the perfections of his music , to make divine things human and human things divine ".

To which I say , Amen and Amen .













































Len    after your eloquent speech on 
my hero J S Bach all I can say is "Amen".
I too have the Gardiner book and although not always an easy read it is always an uplifting one. Bach is in good hands.
Thanks, jim, for last 5 years my routine has been to listen to a cantata drinking my coffee right after breakfast , I think it is a factor in me still being alive .I plan, God willing , to spend a few weeks in October in my beloved Berlin for the last time . I will get a room near the main train station and spend a few days in Leipzig, two hours from Berlin, where I hope to just sit and meditate in Bach’s St. Thomas Church .