Cartridges that get strings right?


The more I listen to live performances the more I’m struck at how difficult it is for home audio to get strings right, both solo and massed. The violin, in particular, can be biting and warm at the same time. Any cartridges that are notably good performers? 
pingvin

Agreed with others.   Massed strings seems one of the biggest "fall-down" points I experience in audio reproduction.  They so easily can sound synthetic, or like digital samples rather than having that delicate combination of bow-on-string vividness and texture, yet with a relaxed sweetnees, and also being appropriately rich sounding, rather than the thin, shrill tone strings are often reduced to when playing in the higher registers.
As it happens, the combo of my Transrotor turntable with a Benz Micro Ebony L cartridge, with my little Spendor S3/5 speakers, finally give me that lushious "strings sound beautiful...like strings!" sensation.  I've been luxuriating in any track that has strings ever since using this combo.
Further following on to Frogman's and Raul's posts, because of the complexity of the sonic signature of even a single violin, let alone a massed array of them, the aural sensation produced in a "live" hall may at times exceed the capacity of music reproduction technologies to convey it. If you attend a lot of live orchestral concerts, you may never be quite satisfied with what you can achieve at home with similar music. Ignorance is bliss, and all that.
Don't forget set-up. Until I got serious about set-up, my higher end Koetsu was rather disappointing - not that much better than a higher end MM.

But when I got serious - no - actually fanatical about set-up (like azimuth in 10 minute of arc increments, and a professional torque screwdriver), the Koetsu blossomed to an unexpected degree. Resolution and definition without tears. 
My thanks to those who have made suggestions about cartridges  ;)

I’m intrigued about the comments about tracking. Getting the fundamental and the overtones right (for those who like statistics: I suspect “right” has a lot to do with an even transfer in the frequency domain and minimal phase distortions in the time domain) is a tough task. Peter Ledermann talks of the importance of tracing the groove accurately; I hope to hear a Paua and a Hyperion next week to try to get a sense of how well the higher-zoot Soundsmiths do with strings. 


I love listening to strings and I love what my Dynavector XV-1s does to reproduce them. Never sibilant, always smooth as silk with excellent ability to resolve details. I had a Clearaudio Concerto before that and it wasn't nearly as good, especially with strings in the upper registers.