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Separate Phono Pre - $$ before I will hear a SIGNIFICANT difference vs. integrated?

In my search for a new Pre-Amp - one of the factors that I am considering is the "Line-Stage" vs. "Built-In Phono Stage" factor.

If I opt for a Line-Stage type - I will probably want to add a separate Phono Pre. I presently do like to spin some vinyl, but I only do it occasionally at the moment because I do not have a permanent place to place the TT. (I store it carefully when not in use)

TT = AR "The Turntable" with Straight (Jelco) Tonearm and Shure MX-V VMR Cart

Q1. How likely is it that something affordable (Like Schiit Mani around $130 USD or Mofi Studio?) will sound equal to or better than the phono stage of the NAD 7220PE Receiver that I am presently using?

Q2. How far up does one need to go in order to note a SIGNIFICANT step-up in Audio Performance?
(Maybe something with Balanced Outputs that is easy to locate CLOSE to the TT?)
geeqner
elliottbnewcombjr
5,314 posts
 
Oh yeah, the 80AZ mono block tube amps are still kicking too.

https://www.google.com/search?q=fisher+80az&tbm=isch&source=iu&ictx=1&fir=DQH3F7O4r2nnxM%253A%252CPtqoclGrGT_fPM%252C_&vet=1&usg=AI4_-kSwTppSgh6H7NuVVz__Qvqqdy_xGw&sa=X&ved=2ahUKEwi0n-ypmenjAhViU98KHU65A14Q9QEwAnoECAcQBg#imgrc=DQH3F7O4r2nnxM:
mesch
3,476 posts
 
Well, if you think you might want to upgrade your vinyl system, via cartridge or phonostage, then I would start with the Mani and a line level integrated. You can test the value of the Mani over the phonostage within the NAD receiver prior to purchase of a new amp.
schubert
7,386 posts
 
Depends on what music you listen to. Does most for jazz .
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