Hear my Cartridges....🎶


Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup 😎
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....🤪
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....🤗
128x128halcro
@frogman Ha! I actually edited my reply by adding in "slight" as I felt it was on the recording and not the fault of the cartridge.
Edit:  

**** a but runny ****

Should read:

”a bit tubby” 

Too funny.  I need to slow down....maybe proofread ?  🤔
Agree with you both on the FR-5E and 6SE,,,,,,
I have always preferred the 6SE to the 5 and 5E and have been confounded by the preference of some (J Carr and Chakster) for the FR-5E?
They are BOTH coloured cartridges in that they emphasise the 'warmth' of presentation (in a good way-like tubes 😀).
But whilst the FR-6SE keeps a happy balance in the spectrum between bass to treble....the 5E doesn't, almost descending into 'syrupy'.
The beauty of both of them, to me, is the projection into the room of the entire soundstage.
It envelopes you and because they are so warm and free of any brittleness....the louder one plays, the better (and more natural) they become.
In fact they are the ideal cartridges for turning 'digital' recordings into 'analogue-sounding' recordings 🤩
Despite the 'easy' preference for the FR-6SE....I can still happily listen to the FR-5E.....at least on the Victor DD.
On the Raven AC-2, it becomes admittedly annoying 🥴

I will elaborate on the previous discussion about the LDR and the Ultra 500 shortly Frogman....😎
I feel there is some resistance to appreciating my 'in-room' experiences...? 🙉

I started off with the LDR in the FR-64S on the TT-101 Noromance...but the notorious reputation of the Deccas for mistracking, were borne out on all my tonearms other than the FR-66S 🙏🏽

Regards 
@halcro That’s disappointing. Are you certain it wasn’t a setup or record issue? I run all my Deccas on 2 lowly Jelco 850 12" and 9" (and a 12" 750 gimbal on another table) arms with knife-edge bearings (albeit good ones) and have no issues with mistracking.

Of course, now I’m second guessing my interpretation of mistracking!
Are you certain it wasn’t a setup or record issue?
 Well I'm certain it wasn't a record issue because it occurred on all records.
I'm not certain it wasn't a setup issue but it 
occurred on the three tonearms surrounding the Victor......the knife-edge bearing SAEC, the gimbal-bearing FR-64S and the DV-507/II.
By 'mistracking'....I mean it 'jumped' a groove in only two spots (perhaps the nulls?) on each record. Not too annoying, but nada with the FR-66S 🤗