Adding extended and articulate deep bass to my system did indeed improve the sense of envelopment. Not by extending the sound stage per se, but by increasing the feeling of being in the room. The main performance is still up front with every instrument palpably positioned, especially bass and drums which are now even more palpably real than before. But there is now an additional sensation of deep bass that just feels like you are in the room. Even though the meat of the performance is still up front, its more like you are in it now.
Pin point imaging isn't for everyone
A subject my posts touch on often is whether pin point imaging is desirable, or natural. While thinking about wide-baffle speakers in another thread I came across this quote, courtesy of Troels Graveson’s DIY speaker site. He quotes famous speaker designer Roy Allison:
You can read Troel’s entire post here:
http://www.troelsgravesen.dk/Acapella_WB.htm
This goes, kind of, with my points before, that you can tweak the frequency response of a speaker, and sometimes cables, to get better imaging, but you are going significantly far from neutral to do so. Older Wilson’s were famous, and had a convenient dip around 2.4 kHz.
I had emphasized dispersion in order to re-create as best as I could the performance-hall ambiance. I don’t want to put up with a sweet spot, and I’d rather have a less dramatically precise imaging with a close simulation of what you hear in a concert hall in terms of envelopment. For that, you need reverberant energy broadcast at very wide angles from the loudspeaker, so the bulk of energy has to do multiple reflections before reaching your ear. I think pin-point imaging has to do with synthetically generated music, not acoustic music - except perhaps for a solo instrument or a solo voice, where you might want fairly sharp localization. For envelopment, you need widespread energy generation.
You can read Troel’s entire post here:
http://www.troelsgravesen.dk/Acapella_WB.htm
This goes, kind of, with my points before, that you can tweak the frequency response of a speaker, and sometimes cables, to get better imaging, but you are going significantly far from neutral to do so. Older Wilson’s were famous, and had a convenient dip around 2.4 kHz.
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- 65 posts total
- 65 posts total