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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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orpheus10 OP
8,668 posts
 
Frogman, what do you know about Joe Wilder?
nsp
654 posts
 
rokI remember two bits being a quarter I never heard of six bits. Is it $0.75?
rok2id's avatar
rok2id
7,859 posts
 
Bingo!!   Give the man a see gar.

2 bits  4 bits  6 bits   a dollar

Cheers
orpheus10 OP
8,668 posts
 

Joe Wilder was also a pit musician. Pit musicians who play in pit orchestras are not only required to play multiple instruments at times, but they must also be familiar and able to play in multiple keys, styles, and tempos and make a switch instantaneously. The orchestration for a musical is written in a key best suited to range of the singer. Some keys are more difficult to play in than others because of the increased attention that greater amounts of sharps and flats require. Musicals also tend to have a number of styles which can range from a soulful ballad to a syncopated funk tune to a driving hard rock song. Many musicians have been trained to play in a certain style, such as classical music, but in order to play in pit orchestras, musicians must be able to play a range of different styles. Because musicals are live, many elements can change from show to show; pit orchestra musicians consequently should be able to play different tempos every night and even skip through their music to a new spot if an actor or singer makes an error.


I know you guys remember my long and boring post about watching these musicians when I went to a Broadway show. Would you like for me to repeat it? I must have a unanimous vote for an encore.
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