Indeed a crime, Schubert. Strassmeyer is very fine; and you’re right, being a good doubler is a requirement for membership in a band with a repertoire like theirs which runs the gamut.
Speaking of Frank Wess, Maria Schneider, doubling and new Jazz. This tenor is one of the most interesting of the new (ish) crop of players on the scene. Member of Schneider’s band, he is an incredible multi instrumentalist who was taken under his wing by Frank Wess. Can play styles old and new at the highest level. Plays many unusual and exotic instruments, but tenor is his primary horn. Instruments as exotic as his wardrobe 😊. A bit like James Carter in that his tone concept is traditional, but can play very modern harmonically. Check out Frank Wess’ expressions while he listens to Scott. No doubt in that old master’s mind whether Scott can play or not. Frank Wess was 87! when this was done. I hope I can still pick my nose at 87:
https://youtu.be/YtY4WeNEQy8
Speaking of Frank Wess, Maria Schneider, doubling and new Jazz. This tenor is one of the most interesting of the new (ish) crop of players on the scene. Member of Schneider’s band, he is an incredible multi instrumentalist who was taken under his wing by Frank Wess. Can play styles old and new at the highest level. Plays many unusual and exotic instruments, but tenor is his primary horn. Instruments as exotic as his wardrobe 😊. A bit like James Carter in that his tone concept is traditional, but can play very modern harmonically. Check out Frank Wess’ expressions while he listens to Scott. No doubt in that old master’s mind whether Scott can play or not. Frank Wess was 87! when this was done. I hope I can still pick my nose at 87:
https://youtu.be/YtY4WeNEQy8