The purpose of this thread was not to bash B&W and say "Look, they could have done it better, but their crossovers are crap."
I happen to dislike the B&W sound nearly universally, but!! the point here was to demonstrate how speaker analysis is done, and how a designer applies his intention to the crossover and simulation to achieve a desired outcome.
Even if the article had gone the other way, started with a neutral sounding speaker and moved to a W shaped frequency response, it's still an excellent primer.
Past that, it also helps to explain how a brand can develop their signature sound.
Best,
Erik
I happen to dislike the B&W sound nearly universally, but!! the point here was to demonstrate how speaker analysis is done, and how a designer applies his intention to the crossover and simulation to achieve a desired outcome.
Even if the article had gone the other way, started with a neutral sounding speaker and moved to a W shaped frequency response, it's still an excellent primer.
Past that, it also helps to explain how a brand can develop their signature sound.
Best,
Erik