The best speaker for a small room...at any price point.


I am wondering which would your choice for the best sounding speaker in a small dedicated room..say 10'X11', or maybe up to 11'X13'? Assuming that budget was not a factor!
128x128daveyf
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I had the Joseph Audio Pulsar 2 Graphene's in a small room (11.5 x 12) and they did not work for me. Put them up for sale here and quickly realized that when it comes to high end monitors, it is definitely a buyers market. Couldn't give them away. Ended up selling them for significantly less than my asking price. 
@jayh31  What you stated is very interesting. Perhaps it is because for some reason, I don't know why, the Joseph speakers have never really had a very large following, unlike Magico or Wilson, etc., I would question if you had bought Magico or Wilson monitors as an example, if you would have had the same problem.
On another thread, one of the members just bought a pair of Joseph Perspective's after listening to a number of other speakers. He apparently got a good deal, as they were the older model and dealer demo's. However, I question whether that was the real reason he got the deal, or simply because Joseph's are not that easy to move and the dealer knew that!  
C’mon guys, it totally depends on what kind of music you listen to. If you’re into heavy rock, rap, electronic, there are other much better choices. BUT if you favor acoustic forms of music from vocals, acoustic rock, folk, jazz (standards and modern day), classical.....any kind of music where REAL INSTRUMENTS are used, THEN THERE IS NO BRAND.....NOT WILSON, NOT MAGICO, NOT SONUS FABER, NOT FOCAL, ETC ETC.....THAT DOES A BETTER JOB AT PRODUCING LIFE-LIKE REALISTIC TIMBRES, A WIDE SOUND STAGE WITH PIN-POINT IMAGING, THAN DO THE D SERIES RAIDHOs. I’ve owned all of the above brands and more, and never believed I'd find the holy grail until I put the D Series in my system.  Of course, upstream components from amps to sources play an important role, but the Raidho D Series (yes, the most expensive) are truly amazing in producing a concert experience.  (Even the smallest D1.1s with a high quality "musical" sub woofer will out perform many of the household names.)  
As a recording engineer, neutral, uncolored and analytical may be the ticket when mixing a project.  But just remember the mastering engineer puts the finishing touches on the final mix so the project actually sounds like music is intended to sound.....realistic timbres, cohesive natural dynamics.....everything that makes you say wow.