Who needs a Diamond Cantilever...? 💍


So suddenly, there seems to be a trend for Uber-LOMC cartridges released with Diamond Cantilevers...😱
As if the High-End MC cartridges were not already overpriced....?!
Orofon have released the MC-ANNA-DIAMOND after previously releasing the Limited Edition MC-CENTURY...also with Diamond Cantilever.
Then there’s the KOETSU BLOODSTONE PLATINUM and DYNAVECTOR KARAT 17D2 and ZYX ULTIMATE DIAMOND and probably several more.

But way back in 1980....Sony released a Diamond-Cantilevered version of its fine XL-88 LOMC Cartridge.
Imaginatively....they named this model the XL-88D and, because it was the most expensive phono cartridge in the world (costing 7500DM which was more expensive than a Volkswagen at the time)....Sony, cleverly disguised this rare beast to look EXACTLY like its ’cheap’ brother with its complex hybrid cantilever of "special light metal held by a carbon-fibre pipe both being held again by a rigid aluminium pipe".
The DIAMOND CANTILEVER on the 88D however......was a thing of BEAUTY and technological achievement, being formed from ONE PIECE OF DIAMOND including the stylus 🤯🙏🏽

I’ve owned the XL-88 for many years and recently discovered that it was my best (and favourite) cartridge when mounted in the heavy Fidelity Research S-3 Headshell on the SAEC WE-8000/ST 12" Tonearm around my VICTOR TT-101 TURNTABLE.
Without knowing this in advance.....I would not have been prepared to bid the extraordinary prices (at a Japanese Auction Site) that these rare cartridges keep commanding.
To find one in such STUNNING CONDITION with virtually no visible wear was beyond my expectations 😃

So how does it sound.....?
Is there a difference to the standard XL-88?
Is the Diamond Cantilever worth the huge price differential?
Is the Pope a Catholic....?

This cartridge simply ’blows my mind’...which is hard to do when I’ve had over 80 cartridges on 10 different arms mounted on two different turntables 🤯
As Syntax said on another Thread:-
When you have 2 identical carts, one regular cantilever and the other one with diamond cantilever (Koetsu Stones for example), the one with diamond cantilever shows more details, is a bit sharper in focus and the soundstage is a bit deeper and wider. They can sound a bit more detailed overall with improved dynamics
I’ll leave it at that for the time being. I will soon upload to YouTube, the sound comparisons between the two Sony versions on my HEAR MY CARTRIDGES THREAD.

But now I’ve bought myself a nightmarish scenario.......
There is no replacement stylus for this cartridge!
There is no replacement cantilever for this cartridge!
Each time I play records with it, I am ’killing’ it a bit more 🥴😥
If I knew how long I had left to live......I could program my ’listening sessions’ 🤪
But failing this.....I can’t help but feel slightly uncomfortable listening to this amazing machine.
128x128halcro
@edgewear, chakster actually warned against Victor MC's
series ''direct coupled'' kinds with his statement  ''it is hard to
find working samples''. The reason is the etched coils on an
small silicon plate. The coils are from aluminum connected with
very vulnerable (thin) copper wire soldered on aluminum coils.
The copper wire is glued on the cantilever and connected with
4 output pins. The soldered connection is the weak part of
the construction because the wire usually  breaks there. 
That is why ''it is hard to find working samples''. 
My Ikeda Rex feels insulted by your comparison (grin). 



We’re off topic as always.
So for Victor Direct Couple MC please use this thread, you can find all information right there including Carr’s comments. To make it short: if any of them is working then it is very nice cartridge!
I'm not familiar with the kind of mark ups that are common in the audio industry, but a $565 difference between boron and diamond cantilevers - while substantial - doesn't seem to justify the enormous price hike charged for models with this option. If Koetsu and others source their diamond cantilevers from Namiki, they sure make a nice profit with these models.

Sorry to stay off topic, but you gentlemen have me worried now. I was aware that the Victor is quite a delicate device, but I didn't realize it was this fragile. I'll keep my fingers crossed that the one I'm about to receive will be one of the - ahum - rare 'working samples'. Fortunately it can be repaired if need be.

BTW: I intend to install it in my Audiocraft AC-4400 tonearm with MC SL/T straight armpipe. Has anyone tried this combination? If that doesn't turn out to be a good match, I will try it in the FR-64S. Just about every cart I own sounds good in that arm.

I was aware that the Victor is quite a delicate device, but I didn’t realize it was this fragile.
Fear not Edgewear, for the MC-L1000 is a robust cartridge without the tiny PCB embedded in the MC-1 or Victor MC-L10.
Hopefully, as Raul says....the lower frequencies on your sample will be fine.
I know that Thuchan bought one on my recommendation, and he reports no problems 🤗
I will try it in the FR-64S. Just about every cart I own sounds good in that arm.
Every user I know reports exactly the same thing.......an amazing tonearm 🤩