Something For The Fuse Guys ...


There are fuses, and then, there are fuses. 

I'm evaluating some prototype fuses that I received in the mail three days ago. 

Over the past few years, I've used fuses from five different manufacturers. The last three were the Red, Black and Blue fuses from Synergistic Research. Each one incrementally improved the sound of my system. My favorite so far was the SR Blue. 

The prototype fuses being evaluated presently raises the SQ beyond all of the others mentioned above. The major improvement to my ears is better tonal accuracy. Instruments and voices are more life-like. The noise is reduced allowing for a more solid 3-D presentation with the musicians more solidly presented on the sound stage. Overall, more information is fleshed out of CDs and LPs. 

The manufacturer, the price and the name of the prototype fuses will come later. I don't have the information thus far. My understanding is, if all works out, the release date is to be mid-October. 

Stay tuned ... 

Frank
128x128oregonpapa
The name is Geoff. Don’t wear it out. Try not to be such a newbie. 
"....well other than a misunderstanding of how electricity works..."      There are a couple of theories, as to how electricity, "works".    They are both called a, "theory".     To which theory, do you ascribe your perfect, "understanding"?
@roberttcan,
Actually, most, if not all of your mentions were brought up in older threads as to why it could explain the efficacy of aftermarket fuses, but they were all shot down as worthless, meaningless, or just silly.

A lot of these aftermarket fuses are based on high rupturing fuses which are made for medical, military, and other high end uses that have been around for many a year.

All it took was some enterprising chaps to apply it to audiophile needs and jack up the price. That's not to say they don't perform better. But they do impact the resultant sound.

Padis fuses go to great lengths to ensure that the end caps are positioned to ensure an even roll on a table, ensuring better and fuller contact with the fuse holder. They even go a step further by omitting any engraving on the sides of the end caps and print the values on the fuse body, ensuring an even fuller and more consistent contact surface. They use better and purer metals as well and cost about $25 apiece, which goes to show that one needs not spend a fortune.

I'll admit that these fuses are overpriced, but what isn't? It's all about what one's willing to pay. I've tried 4-5 different brands and they all sound different and I don't need for anyone to quiz and test me as I've made it this far in life without resorting to fanatical lengths to make sure I'm hearing what I'me hearing. 👍

All the best,
Nonoise
@nonoise
All it took was some enterprising chaps to apply it to audiophile needs and jack up the price.
You forgot...."and apply the appropriate color!"

BTW, I suggested years ago to try orthodontic (i.e., very small) rubber bands around the tops of the fuse holder clips to improve the contact between the fuse and the holder, in conjunction with a bit of ProGold or you favorite contact enhancer. Obviously this rubber band tweak works on only the cradle-type fuse holders not the cylinder holders with the screw-off cap that are often on the rear panel of equipment. I like sand-filled ceramic body fuses which are higher priced than their standard glass counterparts (about $3/fuse!), but if yours are glass try wrapping a bit of teflon tape around the glass for damping. Use orange tape if you wish 😄