lak ...
You're welcome, Lak.
The last time I tried the Herbie's mat, I had yet to install PPT's "The Gate," their "Stop Its," and the SR "Orange" fuses. I didn't detect the shortcomings of Herbie's mat listed above. In fact, I reported at the time that there was no effect at all, either good or bad. With the latest upgrades, the system is much higher in resolution, and the drawbacks of the mat could clearly be heard.
These comments apply to my system only. The Herbie's mat may offer an improvement in a system that is overly "hot" in the highs where glare needs to be tamed. Or, perhaps with recordings that have that digital glare we all detest. In these circumstances, the Herbie's mat may make a perceived improvement. For me, it goes into the box of "tweaks that don't work."
Again ... Herbie's tube dampeners are a "must-have." They were a very significant improvement over the stock dampening rings supplied with the electronics as they came from ARC.
Frank
You're welcome, Lak.
The last time I tried the Herbie's mat, I had yet to install PPT's "The Gate," their "Stop Its," and the SR "Orange" fuses. I didn't detect the shortcomings of Herbie's mat listed above. In fact, I reported at the time that there was no effect at all, either good or bad. With the latest upgrades, the system is much higher in resolution, and the drawbacks of the mat could clearly be heard.
These comments apply to my system only. The Herbie's mat may offer an improvement in a system that is overly "hot" in the highs where glare needs to be tamed. Or, perhaps with recordings that have that digital glare we all detest. In these circumstances, the Herbie's mat may make a perceived improvement. For me, it goes into the box of "tweaks that don't work."
Again ... Herbie's tube dampeners are a "must-have." They were a very significant improvement over the stock dampening rings supplied with the electronics as they came from ARC.
Frank