Best realistic omni type speaker option?

I have commented about this topic on other threads before.  All the omnidirectional speakers you listed have their advantages and weaknesses, like any other speaker.  One you should add to your list is Larsen, made in Sweden.  They are a modern version of the old Sonab speakers.  I sold these for a few years and customers love them.

I love classical music and now that we are empty nesters I find myself listening more to classical music of all types. My Coherent and Omega single drivers are great for small ensembles but can't quite pull off large orchestras and complex music. Zaftig mezzo sopranos wearing horned helmets on the women on single drivers? Naaa (a technical term of rejection).

Having said that, I just purchased a pair of completely restored Shahinian Obelisks and I'm blown away at how wonderful they sound.  I had heard Obelisks years ago and files them away in the "good speaker" compartment of my brain.  I bought them on a whim and after a week I'm sure (well, pretty sure) that I will keep them forever.  AND my wife actually loves the way they look; or at least that's what she says but she also has been hinting about a new car...

I don't have recent experience with Ohm or Decware and I don't have any experience with Duevel.  But my summary comparison to the Larsen 6s or 8s is that the Shahinian Obelisks present similarly but more so.  The Larsens painted a large sound picture on the wall behind the speakers, in bright watercolor paint.  The Obelisks are much more 3D (some say holographic) and the picture is painted in oil and has significant texture.  Right now I'm listening to Isaac Stern and the New York Philharmonic play Beethoven's Violin Concerto in D Major.  I am very familiar with this piece of music and it's like I'm hearing it for the first time.  I played some other stuff earlier today: jazz, bluegrass, classical guitar, Grateful Dead - all great.  I haven't tried Nine Inch Nails yet but maybe tomorrow.

br3098-I would mirror your comments on the Shahinian Obelisk. That was one of the fantastic traits of them to my ears, the layering of music, a real depth, they had an uncanny way of making a vocalist or instruments have real 3-dimensional body. Not overblown and everything all over the place as some do. If I could have only gotten the lower mids and bass end to work in my room, there is no doubt I would still have them and not ventured on.

One slightly negative thing to me, and this was for me typical of the Ohms and Shahinian, is they seem to require more power/drive level to “wake” them up. This is something that the Duevel Venus do so much better, they play at lower levels with seemingly less loss of detail and impact, and for me now living in an apartment, just works.

I still am very much a lover of the Larsen’s too, will always throw them out as a recommendation to those looking for unobtrusive, great sounding speakers with an Omni-type presentation.

I have a set of Ohm 1000s and really enjoy them. I prefer them to the Obelisks I auditioned a few years back. I haven't heard the Duevels, but since I'm enjoying my Ohms, I have no urge to go looking.

Yeah, the little Pear Audio amp sounds surprisingly good but there is not as much bass as I know the Obelisks can make.  I'm thinking about using a tube pre to drive a pair of SS monoblocks via balanced XLR.  Radu Tarta has offered to convert the output on my my wonderful Shiny Eyes DHT preamp from SE to balanced but I'm not sure I want to lose SE conenctions on this pre.  Or I may look for a used BAT preamp.

For amps I'm thinking about either a pair of old Bryston PowerPac 120s (I'll have them refurbished).  If I could afford it I would but a pair of Benchmark AHB2s.  I guess I could buy one and save but I'm definitely an instant gratification sort of guy.