cdc2, you are already use to ESLs. MLs are limited because of that curved diaphragm which forces ML to go down at 250 Hz to a dynamic woofer smack in the middle of the midrange where ESLs are supposed to shine. The curved diaphragm is not linear. Roger Sanders, the inventor of the curved panel abandoned it for that reason. If you go to any form of dynamic speaker you will lose some clarity and detail not that there are fine speakers out there. My favorite right now is Sonus Faber. They make a great speaker for the money. However there are two choices that will give you better dispersion and improve the level of clarity and detail you are use to. The Magnepan 3.7i and the Sound Labs 545. They are bigger than the MLs so I do not know if they will work in your room. My favorite Dynamic speakers are Sonus Faber. They make a great speaker for the money. Upscale Audio has a pair of Olympica 2 speakers on sale. I have listened extensively to the Sonetto 8. Very smooth. No harshness in these. They do very well w/o a subwoofer, but you could add one if you really needed power below 30 Hz. They have as good an image as any dynamic speaker which means the cross over is very high quality. On top of this their cabinetry is first class.
I personally prefer the sound of planar dipoles specifically ESLs. You get a larger image and a better sense of the third dimension. The Magnepans which are planar magnetic and ribbon speakers have excellent dispersion. Their tweeter ribbon is unmatched. But, they are not quite as detailed and their image although excellent is just slightly out of focus when compared to a full range ESL.
Good luck,
Mike
I personally prefer the sound of planar dipoles specifically ESLs. You get a larger image and a better sense of the third dimension. The Magnepans which are planar magnetic and ribbon speakers have excellent dispersion. Their tweeter ribbon is unmatched. But, they are not quite as detailed and their image although excellent is just slightly out of focus when compared to a full range ESL.
Good luck,
Mike